Abbie Gamboa is a worship leader, songwriter, and Christian recording artist whose music is marked by heartfelt devotion, soulful vocals, and a deep desire to draw people into worship. As a longtime member of the Dallas-based UPPERROOM worship community, Abbie has become known for a style of worship that feels both intimate and spontaneous, creating space for listeners to slow down, reflect, and focus their hearts on God.
While Abbie has been part of UPPERROOM for years, her own artistry has continued to grow alongside her work with the worship collective. Her 2023 project pure offered a more personal expression of her faith, followed by Intimidad, a Spanish-language worship project with Marcos Brunet, and THROWING PAINT, her 2025 collaboration with Aodhán King. Her music has also connected her with artists and worship communities including Bethel Music, Gateway Worship, and Maverick City Music.
In 2026, Abbie continues to build on that foundation with new music, including “There Goes That Man,” “Lean In,” and “Ways of God,” while preparing for the release of her new album, Have You Ever Looked Around And Realized Everything You Ever Wanted Is Right In Front Of Your Eyes. Her music reflects an artist who is continually exploring what it means to worship God not simply through songs, but through an authentic and deeply personal relationship with Him.
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🎬Featured Video
Abbie Gamboa – “There Goes That Man” (Live from LA)
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Abbie Gamboa’s “There Goes That Man” is a powerful expression of worship centered on recognizing the presence and character of Jesus. In this live performance from Los Angeles, Abbie brings the song to life with the kind of intimate, heartfelt delivery that has become a defining part of her ministry. Rather than simply presenting a song, she creates the feeling of an invitation to stop, look, and recognize who Jesus is.
The live setting gives “There Goes That Man” an especially compelling quality. Abbie’s vocals carry both strength and vulnerability, while the worship atmosphere allows the song to build naturally without losing its personal focus. It is a performance that feels less like watching an artist perform and more like joining a moment of worship.
As a current release from Abbie Gamboa, “There Goes That Man” also offers a glimpse into where her music is headed today. Her years with UPPERROOM remain an important part of her story, but performances like this demonstrate her continued growth as an artist and worship leader in her own right. “There Goes That Man” is a fitting introduction to the heart behind Abbie’s music and a strong Featured Video for her FishWorship artist page.
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🎵Essential Songs
“Eyes Locked on the King”
With UPPERROOM
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“Eyes Locked on the King” is one of the defining songs from Abbie Gamboa’s pure project with UPPERROOM. Released in 2023, the song grew out of a 2020 songwriting gathering during the pandemic, when Abbie and several close friends and family members came together over Zoom to write about the simple act of communing with God. That origin is reflected in the song itself: rather than trying to make worship complicated, it focuses on finding peace by simply being present with Jesus.
At the heart of the song is the image of keeping our eyes fixed on Jesus—the King—while everything else becomes quieter. Abbie sings about retreating from the noise, surrendering the need to control everything, and discovering that it is safe to be weak in God’s presence. The result is a beautiful picture of worship as relationship: God is not distant, but someone with whom we can sit, commune, and find a deep and lasting peace.
The song’s message becomes especially powerful as it moves toward a commitment to remain in that “secret place” with God through changing seasons of life. It is a reminder that our circumstances may change, but the invitation to draw close to Jesus remains. That combination of intimacy, surrender, and simple freedom has made “Eyes Locked on the King” one of the standout songs associated with Abbie’s ministry.
For anyone discovering Abbie Gamboa through FishWorship, “Eyes Locked on the King” is an excellent place to begin. It captures both the personal nature of her songwriting and the worship-centered foundation she shares with UPPERROOM. The song was released as a single in March 2023 and became part of pure, Abbie’s 14-song debut album with UPPERROOM.
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“Give Me Jesus”
With UPPERROOM
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“Give Me Jesus” is one of Abbie Gamboa’s best-known songs with UPPERROOM and a beautiful expression of wholehearted devotion. Released in 2021, the song places a simple but profound desire at its center: nothing the world can offer compares with knowing and having Jesus. Abbie’s vocals give the song an intimate, personal quality, making it feel less like a declaration made to an audience and more like a prayer spoken directly to God.
The song builds around the idea that Jesus is worth more than every other desire, achievement, or possession. Its slow, spacious worship arrangement allows that message to breathe, while the repeated declaration that Jesus is the believer’s “one thing” gives the song a meditative quality. Rather than trying to overwhelm the listener, “Give Me Jesus” draws attention back to the simplicity of being satisfied in Christ.
“Give Me Jesus” also represents an important part of Abbie’s songwriting story. She is credited as one of the song’s writers alongside Camaryn Avers, Gabriel Gamboa, and Oscar Gamboa, and the song has appeared in several UPPERROOM releases and worship settings.
For anyone discovering Abbie Gamboa through FishWorship, “Give Me Jesus” is an essential listen. It captures the intimate worship style that has become closely associated with Abbie and UPPERROOM while offering a message that is remarkably direct: when everything else is stripped away, Jesus is enough.
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“At The Altar”
With Elevation Rhythm & Tiffany Hudson
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“At The Altar” is a powerful worship collaboration featuring Abbie Gamboa alongside ELEVATION RHYTHM and Tiffany Hudson. Released as a single in August 2024, the song is built around a simple but deeply meaningful message of surrender: nothing we bring to God is wasted when we place it before Him. Abbie is also one of the song’s co-writers, alongside Tiffany Hudson, Joshua Holiday, and Davide Mutendji.
The song speaks to the reality that worship does not require us to have everything together before we come to God. Broken dreams, victories, fear, anxiety, gratitude, and even our imperfections can all be brought to the altar. Its central message is one of freedom and honesty—God can take what we surrender to Him and use it for His purposes. That makes “At The Altar” feel less like a song about a particular moment and more like an invitation to continually bring every part of our lives before God.
Musically, the song unfolds as a spacious, meditative worship piece before expanding into an extended invitation to surrender. The repeated “lay it all down” section gives the song the kind of congregational quality that works particularly well in a live worship setting. The official live video, released by ELEVATION RHYTHM, features Tiffany Hudson and Abbie Gamboa and has become one of the most visible performances of the song.
For Abbie Gamboa, “At The Altar” is an important addition to her essential songs because it demonstrates the breadth of her work beyond UPPERROOM. Her contribution as both vocalist and songwriter places her alongside two major worship movements, while the song itself remains unmistakably focused on the heart of worship: surrendering everything to God and trusting Him with what we place in His hands.
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“Love Note”
With Aodhan King
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“LOVE NOTE” is one of the most intimate songs on THROWING PAINT, the 2025 collaborative album from Abbie Gamboa and Aodhán King. Released August 29, 2025, the song presents worship from an unusual and beautiful perspective: rather than focusing primarily on what we say to God, it imagines God expressing His love toward us. The result is a song that feels like a personal message from the Father to His children.
The song uses the language of Scripture and relationship to describe God’s desire to be close to His people. Images of a dinner shared together, bread and wine, the garden, forgiveness, and simply being together create a picture of God not as distant or unreachable, but as a Father who wants communion with His children. The central refrain returns to that idea again and again: God is present in the morning, at noon, and in the evening, and His desire is for us to know that we are His “one thing” and His beloved.
“LOVE NOTE” is also an especially interesting part of Abbie and Aodhán’s collaboration because of the unusual way THROWING PAINT came together. The pair had never written together before the sessions that produced the album, and according to Aodhán, they arrived without prepared song ideas and wrote the material together during their time in the studio. That spontaneous approach fits the album’s title and gives songs like “LOVE NOTE” an organic, unforced quality.
For the Abbie Gamboa page on FishWorship, “LOVE NOTE” is an important song to include because it reveals another dimension of Abbie’s worship songwriting. Instead of simply asking God for something or declaring something about Him, the song invites the listener to stop and consider how deeply God desires relationship with us. It is a tender reminder that worship can begin simply by hearing and receiving the love God is continually speaking to His children.
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“Testimony”
With Aodhan King
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“TESTIMONY” is one of the most personal songs on THROWING PAINT, the 2025 collaborative album from Abbie Gamboa and Aodhán King. Released on August 29, 2025, the song begins from a place of vulnerability: calling on Jesus when life feels heavy, acknowledging brokenness, and recognizing that we cannot carry everything on our own. From there, it becomes a declaration of gratitude for God’s kindness, grace, and faithfulness.
What makes the song especially powerful is the way its message develops into a testimony of God’s mercy. Abbie and Aodhán sing about looking back and realizing that their stories could have turned out very differently, but God had not abandoned them. The song moves from personal struggle toward a celebration of redemption, ultimately declaring that the story is not over because God’s mercy is real. It is a reminder that a testimony does not have to begin with having everything figured out—it can begin simply by recognizing that Jesus carried us when we could not carry ourselves.
“TESTIMONY” also fits beautifully within the larger story of THROWING PAINT. Abbie and Aodhán had never written together before the sessions that produced the album, and they entered the project without bringing prepared song ideas. Instead, the songs emerged from their time together in the studio over the course of just a few days. That spontaneous approach gives the album an honest, unpolished quality, and “TESTIMONY” feels particularly natural within that setting.
For the Abbie Gamboa page on FishWorship, “TESTIMONY” is an essential song because it brings together several of the themes that run through Abbie’s music: honesty, dependence on Jesus, grace, and the transforming power of God’s love. It is worship rooted not merely in what we believe about God, but in what we have experienced of His faithfulness—and in the decision to tell the world about it.
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“On Time God”
With Chandler Moore
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“On Time God” is a powerful collaboration between Abbie Gamboa, Chandler Moore, and Woman Evolve Worship, released in October 2023. The nearly ten-minute worship song centers on a simple but deeply encouraging truth: God is never too late. Even when circumstances seem hopeless and we feel as though we have gone too far, God is still working and remains faithful.
The song begins with a remarkably personal perspective, looking back on a season when it seemed impossible to make it through. From that place of struggle, the song moves toward recognition that God’s hand was working all along. Its central declaration—that God loves the impossible and loves doing miracles—turns a personal testimony into an encouragement for anyone who is waiting for God to intervene in a difficult situation.
One of the song’s most encouraging themes is its reminder that God’s timing is not the same as our timing. The song repeatedly points toward hope, patience, prayer, and trust, encouraging listeners to keep watching and waiting rather than giving up. The message is ultimately one of perseverance: the story is not finished, God is still holding tomorrow, and He is still at work.
“On Time God” is also an important song in Abbie Gamboa’s catalog because it brings her together with Chandler Moore in a collaboration that bridges several contemporary worship communities. Abbie, Moore, Anna Golden, Blake Wiggins, and Sarah Jakes Roberts are among the songwriters, and the song has continued to receive new life through an acoustic version released in 2025 featuring Woman Evolve Worship and Abbie.
For the FishWorship artist page, “On Time God” is an essential Abbie Gamboa song because its message is both deeply personal and universally encouraging. It speaks to anyone who has wondered whether God has arrived too late, answering with a confident reminder that He has not forgotten us, nothing is too far gone, and sometimes the greatest testimony begins with discovering that God showed up right on time.
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“There Goes That Man”
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“There Goes That Man” is a 2026 single from Abbie Gamboa that offers a fresh expression of her worship songwriting and artistry. Released January 30, 2026, the song is a concise four-minute release that centers attention on the person of Jesus and the awe of recognizing Him at work.
The song has an almost conversational quality to its central idea: seeing Jesus and recognizing that He is the One who has been present all along. Rather than approaching worship only through a list of declarations, Abbie gives the listener the feeling of stopping in the middle of everyday life and suddenly realizing, there He is. That perspective makes the song feel personal and immediate while keeping its focus firmly on Christ.
“There Goes That Man” also represents an important point in Abbie’s continuing development as an artist. Her earlier music established her through UPPERROOM and collaborations with other worship leaders, while her more recent releases have increasingly allowed her own voice and songwriting personality to stand at the center. This 2026 release belongs squarely in that current chapter of her story.
For the FishWorship artist page, “There Goes That Man” is particularly important because it is not simply a look back at Abbie’s established work—it is a look at what she is doing now. Its inclusion alongside songs such as “Eyes Locked on the King,” “Give Me Jesus,” and “At The Altar” gives visitors a picture of an artist whose music continues to grow while remaining rooted in intimate, Jesus-centered worship.
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“NEED YOU” (Live)
With SEU Worship
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“NEED YOU (Live)” is a 2026 collaboration between SEU Worship and Abbie Gamboa, released September 4 as part of SEU Worship’s live album Found In The Field. Recorded at Bush Chapel on the campus of Southeastern University, the song captures the worship collective’s emphasis on remaining rooted in God’s presence and recognizing our continual need for Him.
The song begins with a humble recognition that we cannot approach God on our own merit. It moves from questions about who can enter God’s presence into a beautiful acknowledgment that even repentance and the desire to worship are gifts of God’s kindness. The central declaration—“I need You”—becomes more than a statement of dependence; it becomes a recognition that Jesus is the very source of our life, hope, and ability to come before God.
As the song develops, that dependence becomes wholehearted surrender. The lyrics turn away from pride and self-reliance and toward Christ, declaring that nothing compares with Him and that everything we have ultimately comes at a price. Abbie’s presence gives the performance an intimate vocal character, while the live SEU Worship setting allows the song to grow into a communal expression of worship rather than remaining simply a personal prayer.
“NEED YOU (Live)” is particularly timely for Abbie’s FishWorship page because it represents one of her newest collaborations. Along with her appearance on SEU Worship’s “Keep Me Right Here (Live),” Abbie is one of the featured guests on Found In The Field, a project released just days ago.
For anyone discovering Abbie Gamboa through FishWorship, “NEED YOU (Live)” is a compelling example of the heart that runs through so much of her music: worship begins with recognizing that we need Jesus—not simply for what He can give us, but because He is the source of our life, our hope, and everything we have.
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💿Essential Albums
Pure
With UPPERROOM
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pure is Abbie Gamboa’s 2023 album with UPPERROOM and an essential part of understanding her development as a worship artist. Released May 5, 2023, the 14-song, 53-minute project is both an introduction to Abbie’s voice as a recording artist and an expression of the intimate, prayerful worship that has long characterized her work with UPPERROOM.
The album’s title is an appropriate description of its overall approach. Rather than relying on elaborate production or trying to make every song feel like a conventional radio release, pure often feels personal, reflective, and unhurried. Songs such as “pure,” “eyes locked on the king,” “want,” “i’m here,” and “no life apart” explore the desire to know Jesus more deeply and to remain close to Him. The album’s introspective character makes it feel less like a collection of individual songs and more like an extended time of personal worship.
“eyes locked on the king” is perhaps the best-known song from the project and a natural starting point for anyone discovering the album. But there is considerably more to pure. “dad song” offers a tender picture of intimacy with God, “i get overwhelmed sometimes” acknowledges the reality of human weakness, while “window for glory to slide in” and “mountain air” continue the album’s emphasis on encountering God in personal and unexpected ways. The closing song, “no life apart,” brings the project to a fitting conclusion with its focus on the believer’s life being inseparable from Christ.
Abbie is credited not only as the primary artist but also as a composer, producer, and executive producer on the project, with UPPERROOM serving as the other primary artist. That makes pure significant beyond its collection of worship songs: it represents a substantial creative statement from Abbie herself.
For the FishWorship artist page, pure belongs at the top of Abbie Gamboa’s Essential Albums. It captures the heart of her ministry, showcases her songwriting and vocal style, and provides an important bridge between her work as a member of UPPERROOM and the increasingly personal artistic direction heard in her later collaborations and solo releases.
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THROWING PAINT
With Aodhan King
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THROWING PAINT is the 2025 collaborative album from Abbie Gamboa and Aodhán King, bringing together two worship artists from very different backgrounds for a project that feels remarkably natural and personal. Released August 29, 2025, the 10-song album runs approximately 45 minutes and moves freely between intimate worship, personal testimony, and songs celebrating the character of God.
The story behind the album is almost as interesting as the music itself. Abbie and Aodhán had not previously written an entire project together, but a six-day writing session unexpectedly produced enough material for a complete album. Rather than arriving with a predetermined collection of songs, the two allowed the project to develop organically during their time together. That spontaneous approach is reflected in the album’s title and in the variety of its songs.
The album opens with “PRIVILEGE” and “OBSESSED” before moving into songs such as “TESTIMONY,” “BEHOLD THE KING,” and “DEEP.” Later tracks including “HIGHS AND LOWS,” “HONEST THOUGHTS,” “FATHER GOD,” “LOVE NOTE,” and “U R EVERYTHING” continue exploring faith from different angles. Rather than sounding like a collection built around one particular worship formula, THROWING PAINT gives Abbie and Aodhán room to explore different expressions of their faith while keeping Jesus at the center.
For Abbie Gamboa, THROWING PAINT represents an important step forward from her work with UPPERROOM and her debut project pure. It shows her continuing to grow as a songwriter and recording artist while demonstrating that her artistry works just as naturally in collaboration with another worship songwriter as it does within a larger worship collective. Aodhán’s background with Hillsong Young & Free and his work as a songwriter also brings a different musical perspective to the project.
For the FishWorship artist page, THROWING PAINT belongs among Abbie Gamboa’s Essential Albums. Alongside pure, it provides a particularly good snapshot of the two major sides of her recorded ministry: the intimate worship environment that helped introduce her to a wider audience and the more collaborative, personal songwriting that continues to shape her artistry.
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Have You Ever Looked Around And Realized Everything You Ever Wanted Is Right In Front Of Your Eyes
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Have You Ever Looked Around And Realized Everything You Ever Wanted Is Right In Front Of Your Eyes is Abbie Gamboa’s 2026 studio album and the newest chapter in her development as a solo worship artist. Released September 18, 2026, the 15-song project follows her work with UPPERROOM and her collaborations with Aodhán King, while giving Abbie an opportunity to put her own voice and songwriting at the center of an entire album. (music.apple.com)
Even before hearing the music, the album’s wonderfully long title offers a clue to its central perspective. It suggests the realization that the things we spend so much time searching for may already be present in the life God has given us. That idea fits naturally with the themes that have appeared throughout Abbie’s music: slowing down, recognizing God’s presence, finding contentment in Him, and learning to see what is already right in front of us.
The album follows a series of increasingly significant chapters in Abbie’s recording career. pure introduced her more fully as a recording artist through her work with UPPERROOM, while THROWING PAINT demonstrated her ability to create a deeply personal project with another songwriter. This new album continues that progression, placing Abbie’s own artistry firmly in the foreground while retaining the intimate, Jesus-centered worship that has characterized her work from the beginning.
For FishWorship, this album is particularly important because it represents Abbie Gamboa as she is now rather than simply documenting the work that established her reputation. Songs such as “There Goes That Man” and “NEED YOU” provide a window into this current season of her music, while the full album gives listeners the opportunity to hear how those individual releases fit into a larger artistic statement.
With its unusually memorable title and its place at the newest edge of Abbie’s discography, Have You Ever Looked Around And Realized Everything You Ever Wanted Is Right In Front Of Your Eyes makes a fitting addition to her Essential Albums. It is both a continuation of the worship journey that brought Abbie to this point and an invitation to look around, slow down, and recognize what—and Who—has been right in front of us all along.
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