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Christian Music You May Have Missed

There’s always more great Christian music being released than any one of us can keep up with. So each week, we’re highlighting some of the music you may have missed—new music from familiar voices, emerging artists, and worship leaders who are giving us something worth hearing. Here are this week’s selections from Christian Music You May Have Missed!

🎵Songs

TobyMac – “The Hard Times”


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Seven-time Grammy Award winner TobyMac returns with “The Hard Times,” an energetic new single that finds the veteran Christian music artist reflecting on how life’s most difficult seasons can become opportunities for spiritual growth. Blending his familiar combination of contemporary Christian pop, hip-hop influences, and infectious rhythmic energy, TobyMac delivers a song that acknowledges the struggles, disappointments, and painful experiences that can sometimes leave us feeling lost while reminding us that God can use even our hardest moments to reshape our hearts.

At the heart of the song is the recognition that adversity can sometimes accomplish what easier seasons cannot. When life is going well, it’s easy to become distracted by the things around us, but difficult circumstances have a way of bringing our attention back to what truly matters. TobyMac explores how pain can become a wake-up call, drawing us away from the distractions of the world and inviting us to return to God, seek His presence, and discover the strength that comes from trusting Him. Rather than celebrating suffering itself, the song recognizes that even through our darkest valleys, God’s loving hands can continue shaping us into something better.

TobyMac has described the inspiration behind the song as recognizing that hard times often turn our hearts toward God, creating an invitation to sit at His feet and grow under His care. It’s an encouraging message for anyone navigating a difficult season, reminding us that our struggles don’t have to define us or leave us without hope. Sometimes the experiences we’d never choose for ourselves become the very moments that deepen our faith, strengthen our relationship with Jesus, and help us discover just how much we need Him. With its upbeat delivery and meaningful message, “The Hard Times” is a timely reminder that even when life gets difficult, God is still working in us.

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Lauren Daigle – “Sleigh Ride”

with Preservation Hall Jazz Band


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Lauren Daigle brings a delightful touch of New Orleans jazz to the Christmas season with her rendition of the holiday classic “Sleigh Ride,” joined by the legendary Preservation Hall Jazz Band. Known for her soulful vocals and distinctive blend of contemporary Christian, pop, and gospel influences, Daigle takes a fresh approach to this familiar seasonal favorite, trading some of the traditional orchestral sparkle for the lively brass, swinging rhythms, and unmistakable character of New Orleans jazz. The result is a festive recording that feels both timeless and refreshingly different.

The collaboration with Preservation Hall Jazz Band is particularly fitting. Founded in New Orleans in 1961, the ensemble has spent decades preserving and celebrating the city’s rich traditional jazz heritage. Their spirited instrumentation provides a wonderful backdrop for Daigle’s expressive voice, giving “Sleigh Ride” an infectious energy that makes it easy to imagine a lively Christmas celebration filled with music, laughter, and good company. Rather than simply recreating a familiar holiday recording, the performers bring their own personalities and musical traditions together to create something special.

Although “Sleigh Ride” isn’t an explicitly Christian Christmas song, it’s a wonderful example of the seasonal music that helps make this time of year so enjoyable. Lauren Daigle’s performance reminds us that Christmas music comes in many styles, from traditional hymns celebrating the birth of Jesus to cheerful holiday standards that capture the warmth and excitement of the season. With its playful jazz arrangements, spirited brass, and Daigle’s unmistakable vocal presence, this collaboration is a fun addition to the Christmas listening season.

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Phil Wickham – “SOS (Don’t Let Me Go)”


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Phil Wickham brings his unmistakable worship-driven sound to “SOS (Don’t Let Me Go),” a powerful new single inspired by the hit television series The Chosen. Released as part of Songs Inspired by The Chosen: Seasons 1–5, the song draws its inspiration from one of the most memorable moments in the Gospel accounts: Peter stepping out of the boat and walking toward Jesus on the water. As the wind and waves begin to overwhelm him, Peter loses sight of Jesus and begins to sink, crying out for the Lord to save him. Wickham takes that biblical moment and turns it into a deeply personal expression of our own need for Jesus when life’s storms become more than we can handle.

The inspiration behind the song is particularly meaningful for Wickham. He has shared that it began during a difficult season when a close friend was battling cancer. As he prayed for his friend, his thoughts repeatedly returned to Peter walking on water and the importance of keeping our eyes fixed on Jesus through life’s greatest storms. When the team behind The Chosen subsequently invited him to write a song inspired by that very biblical story, the connection became especially meaningful. Wickham recognized that Peter’s desperate cry for help was something all of us can relate to, because none of us can successfully navigate life on our own.

“SOS (Don’t Let Me Go)” is ultimately a reminder that Jesus is greater than whatever storms we encounter. There will be times when fear, uncertainty, grief, and hardship threaten to overwhelm us, but we are never beyond the reach of His love and grace. Like Peter, we can call out to Jesus when we begin to sink, trusting that He is there to reach for us and carry us through. With its heartfelt message, compelling musical delivery, and connection to one of Scripture’s most powerful moments, Phil Wickham has given listeners another meaningful reminder to keep their eyes on Jesus, especially when the waters get rough.

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Chelsea Plank – “Make Me Willing”


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Chelsea Plank, best known for her work as a principal vocalist and worship director with SEU Worship, steps further into her solo career with “Make Me Willing,” a heartfelt song that explores one of the most honest prayers a Christian can offer: asking God to change our hearts when we’re struggling to surrender to His will. Rather than presenting faith as a journey where we always have the right answers or are automatically willing to do whatever God asks, Plank embraces the reality that sometimes our hearts need a little help getting there. With her expressive vocals and a thoughtful contemporary worship sound, she turns that very human struggle into an invitation to draw closer to Jesus.

What makes the song particularly meaningful is its perspective on surrender. We often think of following God as simply making the decision to obey, but what happens when we know what we should do and still find ourselves reluctant? Plank explores that tension, recognizing that the parts of us that resist God’s direction are often the very places where we need Him most. Instead of trying to manufacture willingness through our own determination, the song encourages us to bring our hesitation, uncertainty, and even our unwillingness directly to God, inviting Him to do the transforming work within us. It’s a refreshing reminder that we don’t have to pretend to have everything figured out when we come before Him.

“Make Me Willing” also offers a glimpse into Chelsea’s forthcoming solo debut album, I think that you kept the light on, expected in early 2027. Having already helped lead and write some of SEU Worship’s most recognized songs, including “What A God,” “Monday Morning Faith,” and “Fruit Takes Time,” Chelsea is now developing her own voice as a solo recording artist. This latest release demonstrates that her music isn’t simply about creating something enjoyable to listen to; it’s about encouraging listeners to examine their relationship with God and invite Him into every part of their lives. Ultimately, “Make Me Willing” is a humble prayer for anyone who wants to follow Jesus more faithfully, even when their heart hasn’t quite caught up with their intentions.

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Gracie Binion – “Gloria” (feat. Mitch Wong)


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Gracie Binion teams up with acclaimed songwriter and worship leader Mitch Wong for “Gloria,” an uplifting worship release centered on the glory, greatness, and majesty of God. With Gracie’s expressive vocals complemented by Wong’s musical contributions, the song creates an atmosphere of joyful praise that invites listeners to turn their attention away from the distractions of everyday life and focus on the One who deserves all our worship. The title itself evokes the familiar biblical expression of giving glory to God, and the song embraces that idea with an enthusiastic celebration of His presence and goodness.

The collaboration is particularly fitting given Mitch Wong’s extensive background in contemporary worship music. Known for his songwriting contributions to artists and worship movements around the world, Wong has helped create songs that encourage the Church to pursue a deeper relationship with Jesus. His involvement brings another dimension to Gracie’s recording, combining the perspective of an established worship songwriter with the fresh energy of a rising Christian music voice. Together, they offer a musical expression of praise that is both accessible and rooted in the heart of Christian worship.

At its core, “Gloria” is a reminder that our lives are meant to bring glory to God. Whether we’re celebrating life’s blessings, walking through difficult circumstances, or simply going about our everyday routines, He remains worthy of our praise. It’s easy to become consumed by the things competing for our attention, but songs like this encourage us to pause, remember who God is, and give Him the honor He deserves. With its joyful worship atmosphere and the combined talents of Gracie Binion and Mitch Wong, “Gloria” is a welcome addition to this week’s collection of Christian music discoveries.

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Aaron Williams & Hope Darst – “Abide (Christmas)”


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Aaron Williams joins forces with acclaimed worship leader Hope Darst for “Abide (Christmas),” a beautiful reimagining of Williams’ popular worship song that brings the timeless message of remaining close to God into the wonder of the Christmas story. Released through Integrity Music on October 30, 2026, this special version takes the original song’s invitation to draw nearer to Jesus and gives it a distinctly seasonal perspective, celebrating the arrival of Emmanuel, God with us. With Williams’ heartfelt delivery complemented by Darst’s expressive vocals, the collaboration creates a warm, worshipful atmosphere that feels right at home during the Christmas season.

What makes this version particularly special is the way its newly written verses connect the familiar message of abiding in Christ with the biblical account of His birth. The lyrics reflect on the prophecies fulfilled through Jesus’ arrival, describing the eternal Son of God entering the world He came to save. References to the incarnate Word, the promised Messiah, and the newborn King bring the Christmas story into sharp focus, reminding listeners that the child born in Bethlehem was much more than a baby in a manger. He was Emmanuel, God dwelling among us, bringing the hope of salvation to the world. The song also incorporates the familiar invitation to adore Christ, giving the recording a wonderful connection to traditional Christmas worship.

The song’s central message comes from Jesus’ teaching in John 15, where He describes Himself as the vine and His followers as the branches, inviting us to remain in Him. That message takes on an especially meaningful dimension when considered alongside the Christmas story. Jesus came into the world not simply to be celebrated during one season of the year, but to establish an everlasting relationship with those who put their trust in Him. “Abide (Christmas)” reminds us that the greatest gift of Christmas is not something we receive and eventually put away with the decorations, but a Savior who came to dwell among us and invites us to walk with Him every day. It’s a beautiful combination of Christmas celebration and personal worship, making this collaboration a wonderful addition to the season’s Christian music offerings.

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Josh Baldwin – “Whole Heart”


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Josh Baldwin delivers a powerful expression of wholehearted worship with “Whole Heart,” a standout track from his October 2026 album, Worth Everything. Known for his work with Bethel Music and his ability to combine contemporary worship with heartfelt, personal expressions of faith, Baldwin invites listeners to consider what it truly means to give God everything. Built around a simple but meaningful declaration of surrender, the song encourages us to approach Jesus without hesitation or reservation, bringing all that we are and all that we have before Him.

At the center of the song is the idea that following Jesus requires more than simply showing up when we need something. It’s about making Him the priority in every area of our lives. Baldwin sings about laying everything at the altar, recognizing that nothing we possess is more valuable than our relationship with God. The song also challenges us to let go of the things we hold too tightly, trusting that when we surrender our lives to Jesus, we’re not giving up something greater in exchange for something lesser. We’re placing our trust in the One who is Himself the greatest treasure. It’s a message that speaks to the heart of Christian discipleship, reminding us that genuine worship involves our everyday choices, not just the songs we sing.

“Whole Heart” fits beautifully within the larger message of Worth Everything, an album inspired in part by the worship music that shaped Baldwin’s own early faith. He has described the project as an expression of what God has been teaching him about surrender, faithfulness, and recognizing that Jesus is worth everything. That perspective comes through clearly in this song, particularly in its invitation to offer every breath, every step, and every part of our lives to Him. With its memorable worship refrain and deeply personal message, “Whole Heart” is an encouraging reminder that we don’t have to hold anything back from the One who gave everything for us.

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Chris Tomlin – It’s Christmas Time Again”


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Grammy Award-winning worship leader Chris Tomlin welcomes the Christmas season with “It’s Christmas Time Again,” an upbeat and heartwarming new single that captures the familiar sights, sounds, and traditions that make this time of year so special. Featuring the warmth of Tomlin’s signature vocal style and an inviting contemporary arrangement, the song celebrates everything from gathering with family and friends to decorating the Christmas tree, singing carols, and creating memories that become part of our holiday traditions. It’s a slightly different musical direction for an artist best known for powerful worship anthems, but one that allows him to explore the joy and nostalgia of Christmas in a wonderfully accessible way.

While the song embraces the familiar pleasures of the season, its heart is firmly rooted in the true meaning of Christmas. Beneath the lights, laughter, presents, and celebrations is the remarkable story of God’s love for the world through the birth of Jesus. Tomlin brings that message into the chorus, reflecting on the wonder of that holy night and the love beyond compare that entered the world through the arrival of the Savior. One particularly beautiful thought is that Christmas isn’t simply a time to remember something that happened long ago; it’s an opportunity to rediscover the hope, peace, and promise that the birth of Jesus continues to bring to our lives today.

“It’s Christmas Time Again” also serves as the lead single from Tomlin’s upcoming Christmas album, Good News Of Great Joy (Christmas Songs Of Worship), his fourth full-length Christmas project. The 11-song collection includes new material alongside fresh interpretations of familiar Christmas favorites, including “Joy To The World (Unspeakable Joy)” and “God Rest Ye Merry Gentlemen (Comfort And Joy).” Tomlin has explained that this particular song was a little outside his usual worship-writing approach, but its nostalgic celebration of spending Christmas with loved ones ultimately inspired the direction of the entire album. With its combination of seasonal nostalgia and a reminder of the good news that started it all, “It’s Christmas Time Again” is a delightful way to begin celebrating the most wonderful time of the year.

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Bryan & Katie Torwalt – “Glory To The One”


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Bryan & Katie Torwalt return with “Glory To The One,” a powerful contemporary worship song that celebrates the transforming grace of Jesus and gives listeners a reason to lift their voices in praise. Featured on their October 2026 EP, Over and Over Again, the song draws from a deeply personal perspective, beginning with the recognition that our past mistakes, struggles, and moments of spiritual weakness don’t have to determine our future. Through God’s amazing grace, even those who have felt buried beneath shame can discover a new beginning and a renewed purpose. With its memorable melody, heartfelt vocals, and uplifting worship arrangement, the Torwalts deliver another song that encourages believers to celebrate everything God has done in their lives.

The song’s message becomes particularly powerful as it moves from personal testimony to an expression of gratitude. Rather than allowing our past to define us, Jesus offers us a new identity and brings us into the Father’s family. The lyrics reflect the incredible difference that His grace makes, reminding us that our lives can become a testimony to His goodness. It’s a beautiful picture of redemption: the mistakes we’ve made, the battles we’ve faced, and the burdens we’ve carried no longer have the final word. Through Christ, we are given a new story, one that can be lived for His glory rather than being defined by our failures.

The bridge takes that message even further, declaring that the enemy no longer has the authority to hold our past over our heads because we have been redeemed. Drawing on biblical themes of freedom from condemnation, restoration, and perseverance through difficult circumstances, the song encourages listeners to stand firmly on the foundation of their faith. Even when the storms of life threaten to knock us down, we can remember what God has already brought us through and trust Him to continue working in our lives. Ultimately, “Glory To The One” is more than a song about singing praises; it’s a reminder that every breath we take is another opportunity to testify to the goodness of Jesus. When we consider all He has done for us, He is the One who deserves the glory.

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Jamie MacDonald & Tori Kelly – “A Million Chances”


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Jamie MacDonald joins forces with Grammy Award-winning vocalist Tori Kelly for a beautiful new rendition of “A Million Chances,” a soulful, piano-driven song celebrating the incredible power of God’s grace and the opportunity for a fresh start. Originally released as part of MacDonald’s self-titled debut album, the song receives new life through this special collaboration, with Kelly’s unmistakable vocals adding another dimension to an already powerful message. Supported by rich harmonies and an uplifting musical arrangement, the two singers deliver a heartfelt reminder that our past doesn’t have to determine our future and that God’s love continues to offer hope even when we’ve made mistakes.

The message behind the song is especially personal for Jamie MacDonald, who has openly shared how dramatically God transformed her own life. Growing up in and out of group homes, leaving high school without a clear direction, and facing circumstances that could easily have defined her future, Jamie eventually discovered that God had something entirely different planned for her. She has described “A Million Chances” as a reflection of that remarkable turnaround, recognizing that God can take even the most broken circumstances and create something beautiful. Her testimony gives the song an authenticity that goes beyond simply singing about forgiveness; it’s a firsthand expression of what happens when someone discovers the life-changing power of God’s grace.

For Tori Kelly, joining Jamie on this recording represents a special opportunity to celebrate a song whose message she deeply appreciated. Jamie has shared that Tori was moved by hearing her perform the original song and eventually expressed interest in recording it together. The result is a collaboration that reinforces the song’s central message: no matter how many mistakes we’ve made, how far we’ve wandered, or how hopeless our circumstances may sometimes appear, God is always ready to welcome us back. His grace isn’t limited by our past, and His plans for our future aren’t canceled by our failures. “A Million Chances” is an encouraging reminder that through Jesus, redemption is always possible and it’s never too late for a new beginning.

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🔍 Monday Memories

Welcome to Monday Memories, where we take a look back at the Christian songs, artists, albums, and moments that have helped shape the music we love. From timeless favorites to songs that may have slipped from memory, each week we revisit a piece of Christian music history and remember why it still matters today.

DC Talk – Jesus Freak


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DC Talk – Jesus Freak: The Album That Changed Christian Music

There are certain albums that come along at just the right moment in music history. Albums that challenge expectations, push boundaries, introduce new sounds, and sometimes change the direction of an entire musical genre. For Christian music fans who grew up in the 1990s, few albums fit that description quite like Jesus Freak by DC Talk.

Released on November 21, 1995, Jesus Freak wasn’t simply another album from an already successful Christian group. It was a statement. It was a musical declaration that Christian artists didn’t have to stay inside the familiar boundaries of contemporary Christian music. They could embrace the sounds dominating mainstream radio, experiment with alternative rock, hip-hop, and pop, and still put their faith in Jesus Christ front and center. In fact, they could do all of that while achieving commercial success that the Christian music industry had rarely seen.

And that’s exactly what happened.

Meet DC Talk: Three Guys With Something to Say

Before Jesus Freak became a cultural phenomenon, there was DC Talk, a trio consisting of Toby McKeehan, Michael Tait, and Kevin Max. The group’s name came from the Washington, D.C., area where Toby McKeehan grew up, and the three eventually came together while attending Liberty University in Virginia.

Their musical beginnings were rooted in hip-hop and rap, something that was still relatively unusual in Christian music during the late 1980s. At a time when much of Christian music was built around traditional pop, inspirational ballads, and familiar worship arrangements, DC Talk brought something different to the table.

Their self-titled debut arrived in 1989, followed by Nu Thang in 1990. Both helped establish the group as an exciting new voice in Christian music. But it was their 1992 release, Free at Last, that really propelled them into the spotlight.

Free at Last became a major success, earning platinum certification and bringing the group widespread recognition. They were no longer simply three young musicians experimenting with Christian rap. They were becoming one of the most recognizable acts in contemporary Christian music.

But something was about to change.

The Sound of a Generation

By the time DC Talk began working on their next major project, the musical landscape had changed considerably. Alternative rock was dominating the airwaves. Grunge had become a defining sound of the early 1990s, with bands like Nirvana, Pearl Jam, and Soundgarden changing what popular rock music sounded like.

DC Talk recognized that the musical world was moving in a different direction, and rather than simply repeating the formula that had made them successful, they decided to take a creative risk.

The result was Jesus Freak.

Gone were many of the familiar hip-hop arrangements that had defined their earlier work. In their place were driving guitars, alternative rock influences, layered vocal arrangements, unexpected musical changes, and a much more adventurous production style.

The transformation was particularly noticeable in the title track. “Jesus Freak” opened with an unmistakable guitar riff before launching into a powerful combination of rock and rap. It wasn’t subtle, and it certainly wasn’t apologetic.

The song asked a question that many Christian teenagers had probably considered at one time or another: What would people think if they knew how much you believed in Jesus?

Rather than treating that possibility as something to hide, DC Talk turned it into a badge of honor.

The message was simple: If following Jesus makes you a little different from everyone else, so be it.

For a generation of young Christians trying to navigate their faith in a world that didn’t always understand it, that message resonated in a big way.

An Album Full of Standout Moments

Of course, Jesus Freak was much more than its title track. One of the reasons the album remains so memorable is the variety of musical styles and lyrical themes found throughout its collection of songs.

“What If I Stumble” is perhaps one of the most thoughtful moments on the record. Rather than presenting Christian musicians as people who have everything figured out, the song acknowledges the responsibility that comes with being someone others look up to. Its central concern is that people might be disappointed by the imperfections of the person sharing their faith.

It’s an unusually honest message, especially for an album that otherwise celebrates an unapologetic commitment to Jesus.

“Colored People” takes on the subject of racial differences, reminding listeners that humanity shares a common Creator and that our differences should be celebrated rather than used to divide us.

“In the Light” is another standout, with its powerful melody and deeply personal reflection on what it means to live a life centered on Christ. It’s one of those songs that can still stop you in your tracks, even decades after you first heard it.

“Between You and Me” brought a more accessible pop-rock sound to the album, exploring forgiveness, reconciliation, and the importance of repairing relationships.

And then there’s “Mind’s Eye,” which combines a more experimental musical approach with a fascinating exploration of faith and spiritual perception.

Taken together, these songs made Jesus Freak feel like a complete musical experience rather than a collection of singles built around one hit.

It was an album that could make you want to turn up the volume, think about your relationship with God, and perhaps reconsider what Christian music could accomplish.

The Numbers Were Extraordinary

The Christian music industry had certainly seen successful albums before 1995. DC Talk themselves had already enjoyed considerable success with Free at Last. But what happened when Jesus Freak arrived was something else entirely.

The album sold 85,814 copies during its first week, setting a record for the biggest first-week sales of a contemporary Christian album at the time.

It debuted at No. 16 on the Billboard 200, placing it among some of the biggest mainstream releases of the week.

Here’s another remarkable detail: approximately 78,000 of those first-week sales came from Christian bookstores.

That matters because it demonstrated that Christian music consumers represented a substantial market, one that the mainstream music industry could no longer afford to overlook.

The album quickly earned RIAA Gold certification, reaching that milestone within approximately a month. It eventually achieved double-platinum status in the United States, representing more than two million certified units.

And while we shouldn’t confuse its first-week sales record with an all-time Christian album sales record, there’s no question that Jesus Freak established a commercial milestone that helped change how the industry viewed Christian music.

It wasn’t just a big Christian album. It was a major music-industry story.

Opening Doors Beyond Christian Radio

Perhaps even more important than the sales figures was the attention DC Talk began receiving outside the traditional Christian music marketplace.

The title track attracted attention for its alternative-rock sound and unapologetic message. Its music video received exposure on MTV, an important achievement for a group whose identity was so firmly rooted in Christian music.

Then came “Between You and Me,” which helped introduce DC Talk to an even wider audience. The song received mainstream radio exposure, and its music video reached MTV and VH1.

For a moment, DC Talk occupied a particularly interesting place in popular music. They were unmistakably Christian artists, but they were also making music that could compete in the broader marketplace.

That distinction is important.

They weren’t trying to disguise their faith or reinvent themselves as secular musicians. Their Christian identity was central to their music. Yet they were demonstrating that a Christian message didn’t have to be accompanied by a particular musical formula.

You could rock. You could experiment. You could sound contemporary. And you could still sing about Jesus.

For many Christian musicians who followed, that was an enormously important example.

What Happened to DC Talk?

Following the enormous success of Jesus Freak, DC Talk continued their musical journey with 1998’s Supernatural.

The album represented another evolution in the group’s sound, blending pop, rock, and electronic influences. It debuted at No. 4 on the Billboard 200, an extraordinary achievement that demonstrated the group had not simply enjoyed a one-album breakthrough.

But the members were also beginning to explore their individual creative interests.

Eventually, DC Talk entered an indefinite hiatus, and Toby, Michael, and Kevin pursued their own musical careers.

And if you’ve followed Christian music over the last couple of decades, you know that the story doesn’t end there.

TobyMac: From DC Talk to Christian Music Superstar

Perhaps the most commercially successful of the three members in terms of his subsequent solo career has been Toby McKeehan, better known to millions of music fans as TobyMac.

TobyMac took the musical creativity that helped make DC Talk successful and expanded it into an entirely new career.

His 2001 solo debut, Momentum, introduced a sound that combined hip-hop, pop, rock, and electronic influences. It was followed by albums including Welcome to Diverse City, Portable Sounds, Tonight, Eye on It, This Is Not a Test, and Life After Death.

Along the way, TobyMac became one of the defining artists of modern Christian pop music.

His music has consistently embraced contemporary sounds, incorporating everything from hip-hop and dance music to rock and pop. He’s also become known for energetic live performances and collaborations with a wide range of artists.

Songs like “Made to Love,” “Lose My Soul,” “City on Our Knees,” “Me Without You,” “Speak Life,” “Feel It,” and “I Just Need U.” have helped establish a catalog that reaches far beyond his original DC Talk audience.

His success has been recognized with multiple Grammy Awards, Dove Awards, and numerous other honors.

In many ways, TobyMac carried the experimental spirit of Jesus Freak into the next generation of Christian music.

He demonstrated that Christian artists could continue to evolve, embrace new musical styles, and connect with younger audiences without abandoning the message that brought them into music in the first place.

And he certainly wasn’t the only DC Talk member to continue making an impact.

Michael Tait and Kevin Max: Continuing the Journey

Michael Tait went on to establish himself as a major voice in Christian music in his own right. After pursuing solo projects, he eventually became the lead singer of the Newsboys, one of Christian music’s most recognizable bands.

His powerful voice, which had been such an important part of DC Talk’s signature sound, continued to find an audience through songs and albums with the group.

Kevin Max also pursued a solo career, exploring a variety of musical directions and demonstrating the creative versatility that had always been part of DC Talk’s identity.

Although the three musicians would no longer operate as a regular recording and touring group, their individual careers ensured that the DC Talk legacy continued to influence Christian music.

Thirty Years Later, the Message Still Matters

It’s hard to believe that Jesus Freak is now more than three decades old.

For those who remember buying the original CD, listening to the cassette in the car, watching the music videos, or hearing the songs at youth group gatherings, the album probably brings back a flood of memories.

But its importance isn’t limited to nostalgia.

The album helped demonstrate that Christian music could be adventurous, commercially successful, culturally relevant, and unapologetically Christian all at the same time.

It challenged the assumption that Christian music had to sound a certain way. It encouraged artists to experiment. It helped bring Christian music into conversations that extended well beyond Christian radio and bookstores.

Most importantly, it reminded an entire generation that following Jesus wasn’t something to be embarrassed about.

You didn’t have to hide your faith to fit in. You didn’t have to water down your beliefs to make music that people would enjoy. And you didn’t have to choose between being musically creative and being committed to Christ.

That was the spirit of Jesus Freak.

And perhaps that’s why, all these years later, the album still deserves a place in the conversation about the most important releases in Christian music history.

So, whether you’re revisiting these songs for the hundredth time or discovering them for the first time, turn up the volume and enjoy a little trip back to 1995.

Because some albums are simply good records.

And some albums help change the world of music around them.

DC Talk’s Jesus Freak was definitely one of the latter.

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📖 Hymn of the Week

There’s something timeless about the great hymns of the Christian faith. Though many were written generations ago, their words continue to speak to the heart, proclaim the truth of Scripture, and lead us into worship. Hymn of the Week is for everyone who believes these beloved hymns should always have a place in modern worship. Each week, we’ll take a moment to revisit one of these enduring songs of faith and celebrate the message, story, and music that have helped generations of believers worship God.

“Marching to Zion” – Fountainview Academy


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Marching to Zion – A Song of Joy, Promise, and the Children of the King

Some hymns invite us to worship. Others invite us to sing a little louder. And then there are hymns like “Marching to Zion,” which seem to suggest that if we’re going to heaven, we might as well make a joyful noise along the way!

This week’s Hymn of the Week is one of those timeless favorites that has been encouraging Christians for generations. Our featured presentation comes from Fountainview Academy, whose beautiful outdoor performances have a way of combining wonderful music with some breathtaking scenery. This is another opportunity to sit back, enjoy the surroundings, and appreciate a group of talented young musicians sharing their faith through song.

And this particular hymn has a message worth exploring beyond its wonderfully memorable chorus.

A Verse That Says More Than You Might Think

While the familiar refrain is probably what most people remember, I’d like to spend some time with the second verse:

Let those refuse to sing who never knew our God
But children of the Heavenly King, but children of the Heavenly King
May speak their joys abroad, may speak their joys abroad.

There is something wonderfully confident about those words. Isaac Watts wasn’t suggesting that Christians should keep their faith to themselves, wait for permission to express their joy, or apologize for believing what they believe. Quite the opposite! Those who know God have every reason to let the world hear about it.

But there’s another dimension to this verse that has always interested me.

Throughout human history, there has been a recurring division between those who recognize and honor God’s promises concerning the children of Israel and those who oppose them. That story goes all the way back to the Abrahamic Covenant, when God made His promises to Abraham:

“I will bless them that bless thee, and curse him that curseth thee.” (Genesis 12:3, KJV)

The descendants of Abraham would become a people through whom God would carry forward His promises, and the history of Israel has been intertwined with that divine promise ever since.

The conflict surrounding Israel is certainly nothing new. Across thousands of years, the Jewish people have experienced extraordinary opposition, persecution, displacement, and attempts to deny their place in history. The modern headlines may change, the political arguments may evolve, and the alliances may shift, but the underlying historical story is remarkably persistent.

As Christians, we can recognize that this is a complicated world, with real human suffering on multiple sides of today’s conflicts. We can pray for peace, compassion, and the protection of innocent lives without abandoning our understanding of God’s promises.

And personally, I think there’s a pretty straightforward way to express where I stand:

That doesn’t mean we have to agree with every political decision made by any government. It means that God’s promises deserve our respect, and that we shouldn’t be embarrassed to acknowledge the biblical foundation of our faith.

And that brings us right back to the hymn. The children of the Heavenly King have something to sing about. We have a reason for our joy, a reason for our hope, and a reason to make that joy known.

The Story Behind Marching to Zion

One of the interesting things about this hymn is that it actually began its life with a different title.

Isaac Watts (1674–1748), one of the most influential hymn writers in Christian history, originally published the words in 1707 in his collection Hymns and Spiritual Songs. The hymn was titled “Heavenly Joy on Earth” and originally contained ten stanzas.

Watts had a particular gift for taking biblical truths and expressing them in language that ordinary believers could understand and sing. His hymns weren’t simply songs to fill a worship service. They were expressions of theology, biblical instruction, and personal devotion.

In this case, Watts was describing the joy of belonging to God, both in our present lives and in anticipation of the eternal life to come.

The familiar version we sing today, however, owes much of its musical identity to Robert Lowry (1826–1899).

Lowry was an American Baptist minister, professor, and prolific hymn writer and composer. In 1867, he supplied the familiar music and the wonderfully memorable refrain:

We’re marching to Zion, beautiful, beautiful Zion; we’re marching upward to Zion, the beautiful city of God.

That addition transformed the hymn into something especially memorable for congregational singing. The original words of Watts were given a new musical life, and the result has endured for more than 150 years.

The Zion described in this hymn is the heavenly destination of God’s people. It represents the eternal home promised to believers, the place where sorrow gives way to joy and where we will finally experience the fullness of God’s presence.

And if you’ve ever sung this hymn in a church full of enthusiastic believers, you know that the refrain almost sings itself!

From the Hymnal to the Southern Gospel Stage

There is another reason this hymn has remained so recognizable, particularly in Southern Gospel circles.

Southern Gospel has always had a special appreciation for traditional hymns, especially those with strong melodies, memorable refrains, and opportunities for wonderful four-part harmony. “Marching to Zion” checks all those boxes.

Its energetic melody and repeated chorus make it particularly well suited to quartet singing. The words are familiar, the message is unmistakable, and the music practically invites an audience to join in.

It’s also a natural companion to another great processional hymn: “Onward, Christian Soldiers.”

Interestingly, the two hymns came from different generations and different circumstances. “Marching to Zion” began with Isaac Watts in 1707, with Robert Lowry’s familiar musical setting arriving in 1867. “Onward, Christian Soldiers” was written by Sabine Baring-Gould in 1864 for children participating in a church procession in England. Arthur Sullivan, of Gilbert and Sullivan fame, supplied its now-famous “St. Gertrude” melody in 1871.

Both hymns have a strong sense of movement and purpose. One celebrates the Christian journey toward our eternal home, while the other portrays believers moving forward together in their service to Christ.

It’s easy to see why Southern Gospel performers have enjoyed bringing these two songs together.

In fact, Bill and Gloria Gaither have presented a live medley of “Onward, Christian Soldiers” and “We’re Marching to Zion,” featuring Dean Hopper, Ann Downing, and Kim Hopper. It’s a wonderful example of how these two traditional hymns complement each other.

For those who enjoy the traditional Southern Gospel sound, I’ve included an opportunity below to enjoy that performance through Apple Music.


Apple Music subscribers: Sign in above to see the complete video.

It’s a different musical treatment from our Fountainview Academy presentation, but that’s part of the fun of exploring the history of Christian music. The same timeless message can be expressed in so many different ways.

One Destination, One Wonderful Promise

There’s a reason this hymn has survived for more than three centuries.

The world has changed dramatically since Isaac Watts first put these words on paper. Nations have risen and fallen. Political boundaries have shifted. Generations have come and gone. And yet the central promise of the hymn remains just as relevant today.

For Christians, Zion represents something greater than any earthly destination. It is the promise of eternity with God.

And that is something worth celebrating!

Whether you prefer the beautiful outdoor performance from Fountainview Academy, a traditional church congregation singing at full volume, or a Southern Gospel quartet bringing those harmonies to life, the message is the same.

We have a reason to sing. We have a reason to rejoice. And we have a destination toward which we’re all looking.

One final thought about today’s world: With all the disagreements surrounding Israel and Palestine, the Middle East, and the meaning of Zion, perhaps we have finally found something that both sides can agree on.

Of course, they might have somewhat different ideas about the destination, but hey, we’ll let them work that out!

Until then, let’s keep singing, keep sharing the good news, and keep our eyes on the beautiful city of God.

We’re marching upward to Zion!

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🎶 New This Week

Every week brings a fresh batch of Christian music into the world—new albums, EPs, and songs from artists we know and artists we’re just discovering. New This Week is our chance to explore some of the music that has just been released, learn a little about the artists and their new music, and perhaps discover something that deserves a place in your playlist. So let’s take a look at what’s New This Week in Christian music!

💿Albums

Kirk Franklin – I Am What I Am


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Kirk Franklin returns with I Am What I Am, an ambitious 14-track double album that celebrates the many dimensions of one of gospel music’s most influential and recognizable voices. Divided between seven contemporary studio recordings and seven powerful live performances, the project brings together traditional choir-driven gospel with elements of hip-hop, R&B, Afrobeats, and modern soul. Featuring an impressive collection of guests, including Jelly Roll, GloRilla, Davido, Tobe Nwigwe, Karen Clark Sheard, and Tim Rogers, Franklin continues to demonstrate his remarkable ability to connect generations and musical styles without losing sight of his gospel roots. From the introspective honesty of “Free Me Tonight” and the uplifting encouragement of “Hope In You” to the exuberant live worship of “Thank You For Everything” and “It Is Well,” I Am What I Am is an expressive collection of faith, gratitude, personal growth, and the enduring power of God’s grace. It’s another reminder that Kirk Franklin isn’t interested in standing still—and gospel music is all the richer for it.

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Various Artists – Songs Inspired By The Chosen: Seasons 1-5


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Bringing together an impressive collection of artists from across the Christian, country, gospel, and contemporary music worlds, Songs Inspired By The Chosen: Seasons 1–5 is an 11-track collection of original music inspired by the stories, characters, and powerful moments of the hit television series The Chosen. Featuring Phil Wickham, Anne Wilson, Lady A, Boyz II Men, Tyler Hubbard, Jamie MacDonald, Blessing Offor, Franni Cash, LOST & FOUND, Stephen Stanley, Madison Ryann Ward, and Jac Ross, the album offers a musical reflection on the life and ministry of Jesus and the impact He continues to have on those who encounter His story. From Phil Wickham’s heartfelt “SOS (Don’t Let Me Go)” and Jamie MacDonald’s faith-filled “Roots” to Anne Wilson’s moving “Even This” and the collaboration between Lady A and Boyz II Men on “I Love The One,” each song brings its own perspective to the themes of faith, redemption, perseverance, and the transforming love of Christ. More than simply a companion to the television series, this collection stands as an invitation to revisit the remarkable stories of Jesus and consider anew what it means to follow Him.

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Beach Chapel – A Special Place In Heaven


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Beach Chapel brings an atmospheric blend of indie rock, alternative pop, and modern worship to A Special Place In Heaven, a new release that reflects the group’s distinctive approach to making music with a spiritual foundation. Drawing inspiration from a variety of musical influences, Beach Chapel combines shimmering guitars, melodic arrangements, and contemporary production to create a sound that feels both familiar and refreshingly different from much of today’s mainstream Christian music. The project reflects an artistic perspective that sees no need to separate musical creativity from matters of faith, allowing spiritual themes to find their place within an accessible alternative-rock sound. For listeners who appreciate Christian music that ventures beyond traditional worship arrangements while still keeping its heart pointed toward Jesus, Beach Chapel offers an intriguing new addition to this week’s releases.

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The Oak Ridge Boys – Buried Treasures


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The Oak Ridge Boys have never been particularly shy about letting their gospel roots show, and Buried Treasures is another wonderful example of the group’s longstanding appreciation for music that speaks to matters of faith, life, and the human experience. Throughout their remarkable career, the Country Music Hall of Fame members have moved comfortably between mainstream country hits and recordings that celebrate their Christian heritage, a tradition increasingly embraced by artists throughout the country music world. From Alan Jackson and Carrie Underwood to Kid Rock, musicians with mainstream audiences have increasingly made room for albums and projects reflecting their faith. On this 10-song collection, the Oaks revisit a selection of beloved songs, including the inspirational classics “How Great Thou Art,” “Deep River,” and “Softly and Tenderly,” alongside familiar favorites such as “Bridge Over Troubled Water,” “Lean on Me,” and “What a Wonderful World.” Produced by Anderson East with executive production by Dave Cobb, Buried Treasures is a heartfelt collection that brings together the group’s gospel foundation, country heritage, and appreciation for songs that stand the test of time.

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The Hyssongs – We’ve Got a Song to Sing


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Celebrating 30 years of sharing the Gospel through music, Southern Gospel family trio The Hyssongs return with We’ve Got a Song to Sing, an 11-track collection filled with the uplifting harmonies, heartfelt performances, and unmistakably Christian message that have become hallmarks of their ministry. Featuring a blend of traditional Southern Gospel, contemporary praise, and inspirational arrangements, the album encourages listeners to remain steadfast in their faith and remember the hope found in Jesus Christ, even through life’s most difficult seasons. Songs such as “Good News Savior,” “I’m Glad I Know Jesus,” “The Voice of the Master,” and “Death in the Grave” make the group’s spiritual focus unmistakable, while a worship medley featuring “You Are Good,” “Shout to the Lord,” and “Awesome God” brings familiar praise favorites into the collection. With their signature family harmonies and a message rooted in the Good News of Jesus, The Hyssongs offer another encouraging reminder that there’s always a reason to sing.

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🎵Songs

TobyMac – “The Hard Times”


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TobyMac returns with “The Hard Times,” an energetic new single that finds the seven-time Grammy Award winner turning life’s most difficult seasons into an opportunity for renewed faith and spiritual growth. Blending his familiar mix of contemporary Christian pop, hip-hop influences, and infectious rhythmic energy, the song acknowledges the struggles, disappointments, and painful experiences that can sometimes leave us feeling lost, while reminding us that God can use even our hardest moments to reshape our hearts. TobyMac describes the inspiration behind the song as recognizing that difficult seasons often become invitations to turn toward God, sit at His feet, and discover the growth that comes through His loving care. With its encouraging message that trials can strengthen our faith and draw us closer to Jesus, “The Hard Times” is an uplifting reminder that even in our darkest valleys, God is still at work.

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Lauren Daigle & Preservation Hall Jazz Band – “Sleigh Ride”


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Lauren Daigle teams up with the legendary Preservation Hall Jazz Band for a lively, New Orleans-inspired take on the holiday classic “Sleigh Ride.” Released October 30, 2026, the recording brings together Daigle’s distinctive, soulful vocals and the band’s unmistakable traditional jazz sound, giving this familiar Christmas favorite a fresh personality filled with warmth, energy, and festive spirit. The collaboration also celebrates Daigle’s Louisiana roots, blending the musical traditions of her hometown with a song that has become a holiday staple. It’s a joyful seasonal release that offers something a little different from the usual Christmas arrangements while showcasing the musical chemistry between two uniquely talented performers.

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Lauren Daigle & Preservation Hall Jazz Band – “Go Tell It On The Mountain”


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Lauren Daigle joins forces with the iconic Preservation Hall Jazz Band for a spirited, jazz-infused rendition of the beloved Christmas hymn “Go Tell It On The Mountain.” Released October 30, 2026, this recording brings a distinctly New Orleans flavor to the traditional celebration of Jesus’ birth, pairing Daigle’s rich, soulful vocals with the band’s unmistakable musical character. The collaboration is especially meaningful given Daigle’s Louisiana roots, bringing together two musical traditions in a joyful celebration of the Christmas message. With its lively arrangement and timeless proclamation of Christ’s birth, this version offers a fresh and festive way to share one of the season’s most enduring expressions of faith.

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Bethel Music – “Greatness” (feat. Aubree Archibeck & Martin Smith)


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Apple Music subscribers: Sign in above to hear the full song.

Bethel Music brings together worship leader Aubree Archibeck and acclaimed British worship artist Martin Smith for “Greatness,” a powerful new declaration of God’s unmatched character, faithfulness, and love. Released October 30, 2026, the single is the second offering from Bethel Music’s forthcoming 2027 album and invites listeners to build their lives on the One who never fails. The song celebrates the beautiful contrast between God’s infinite power as King of the universe and His deeply personal love as a faithful friend who walks alongside us through every season of life. Archibeck describes the song as a special opportunity to lead worship alongside Smith, while Smith shares that its inspiration began with a simple but profound thought: “The Greatness of the Lord is beyond compare.” With its message of trust, devotion, and wholehearted worship, “Greatness” is an encouraging reminder that God’s greatness remains unchanged in both joy and tragedy.

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Chelsea Plank – “Make Me Willing”


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Chelsea Plank, known for her work as a principal vocalist and worship director with SEU Worship, steps further into her solo career with “Make Me Willing,” a heartfelt song about surrendering our hearts and desires to God. Released October 30, 2026, the single explores the honest reality that our willingness to follow God’s direction doesn’t always come naturally. Rather than pretending we have everything figured out or trying to manufacture a perfect attitude, Plank invites listeners to bring even their resistance and uncertainty before God, asking Him to transform the places within us that still need to grow. The song offers a powerful reminder that our relationship with Jesus isn’t about relying on our own strength or determination, but about allowing His grace to shape who we are and make us willing to follow wherever He leads. “Make Me Willing” also previews Plank’s forthcoming eight-song solo debut album, I think that you kept the light on, expected in early 2027.

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Gracie Binion & Mitch Wong – “Gloria”


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Gracie Binion reunites with acclaimed songwriter and worship leader Mitch Wong for “Gloria,” a joyful new release celebrating the glory of God. Released October 30, 2026, the collaboration brings together Binion’s contemporary pop sensibilities and Wong’s celebrated songwriting experience for a song rooted in worship and praise. Binion has a longstanding creative relationship with Wong, dating back to their work together on “Hunger,” a worship song she co-wrote as a teenager that was later recorded by CeCe Winans. Their reunion here is another opportunity to share their passion for worship, inviting listeners to turn their attention toward the greatness and glory of God. “Gloria” is a fitting addition to the week’s new Christian music releases and a reminder of the joy found in giving God the praise He deserves.

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Phil Wickham – “SOS (Don’t Let Me Go)”


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Phil Wickham delivers a deeply personal and faith-filled new single with “SOS (Don’t Let Me Go),” inspired by the biblical account of Peter stepping out of the boat and walking toward Jesus on the water. Released October 30, 2026, the song was written during a difficult season as Wickham prayed for a close friend battling cancer, finding himself repeatedly drawn back to the story of Peter and the reminder to keep our eyes fixed on Jesus through life’s greatest storms. The song became part of Songs Inspired by The Chosen: Seasons 1–5, a collaborative project from the creators of the hit television series and Capitol Christian Music Group. Wickham describes the song as a reflection of our shared need for Jesus, recognizing that we cannot navigate life’s storms through our own strength. With its heartfelt plea for Christ to hold us close, “SOS (Don’t Let Me Go)” is a powerful reminder that even when the waves rise around us, Jesus is greater than the storm and faithful to carry us through.

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ZOEgirl – “I Still Believe”


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After more than two decades away from releasing new music together, beloved Christian pop trio ZOEgirl returns with “I Still Believe,” a heartfelt declaration of enduring faith featuring original members Alisa Childers, Kristin Schweain, and Chrissy Katina. Released October 30, 2026, the single brings the group full circle, revisiting the message of their very first radio hit, “I Believe,” from 2000. But this isn’t simply a nostalgic return to the past; it’s a reflection of what happens when faith is tested by years of life’s challenges, difficult questions, seasons of doubt, and personal growth. The members have experienced plenty since their early days, and their renewed declaration of belief carries the perspective of women who have walked through those experiences and continue to find their hope in Jesus. For longtime ZOEgirl fans, “I Still Believe” is a welcome reunion with a familiar sound and an encouraging reminder that faith can endure, even through life’s darkest seasons.

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Jordan St. Cyr – “Guide Me Home”


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Jordan St. Cyr brings his heartfelt contemporary Christian sound to “Guide Me Home,” a new single released October 30, 2026, through BEC Recordings. Known for songs that combine honest storytelling with encouraging messages of faith, St. Cyr has built a connection with listeners through music centered on God’s love, grace, and the hope found in Jesus. “Guide Me Home” continues that faith-focused direction, with a title that evokes the comfort of trusting God to lead us through life’s uncertainties and keep our hearts anchored in Him. It’s another addition to a productive year for the Canadian singer-songwriter, who has been introducing listeners to a new season of music through a series of 2026 releases.

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New Wine Worship – “For Jesus”


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New Wine Worship brings the sound of a massive gathering of believers to “For Jesus,” a powerful live worship anthem recorded before more than 7,000 people at New Wine Festival 2026. Released October 30, 2026, the song was written by Joe Hardy and Nick Herbert and centers on a simple but profound declaration: everything we do is for Jesus, because He is the reason we gather. Featuring a vibrant festival choir, driving rhythms, and a highly congregational chorus, the recording captures the energy and unity of thousands of voices lifting praise together. More than simply a festival performance, “For Jesus” is an invitation for churches and individual believers alike to put Christ at the center of their worship, their service, and their everyday lives. The single is the second release from New Wine Worship’s forthcoming live EP, Ready For More, scheduled for November 20, 2026.

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Blessing Offor & The Chosen – “Broken Me”


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Blessing Offor brings his soulful voice and thoughtful songwriting to “Broken Me,” a deeply reflective new single created in connection with The Chosen and its collection of songs inspired by the series. Released October 30, 2026, the song draws from the questions asked by James and his conversations with Jesus, exploring the difficult reality of waiting when the answers to our prayers don’t come in the way or on the timetable we hope for. Offor explains that the song grew out of his appreciation for James’s questions and, especially, Jesus’ response, which offers a meaningful perspective on how even seasons of waiting can become gifts. Rather than suggesting that faith eliminates our struggles or guarantees the outcomes we desire, “Broken Me” invites listeners to consider how God can work within our unanswered questions, disappointments, and broken places. It’s a moving reminder that Jesus remains present through the waiting, and that sometimes the very experiences we wish could be different can become opportunities for deeper faith and understanding.

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Lloyd Nicks – “Glory (Angels We Have Heard)”


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Lloyd Nicks puts a fresh, powerful spin on the beloved Christmas carol “Angels We Have Heard on High” with “Glory (Angels We Have Heard),” a soaring new recording released October 30, 2026, through Curb Records. Backed by a full choir, dramatic strings, and driving drums, Nicks transforms the familiar traditional arrangement into an energetic anthem of praise that celebrates the wonder of Jesus’ birth. The song retains the heart of the original carol while introducing a contemporary worship sound, with lyrics that invite listeners to adore the Savior and reflect on the majesty of Heaven’s King arriving in a humble manger. Written by Nicks alongside Tony Wood and Micah Kuiper, the song offers a particularly fitting addition to the Christmas music season, combining a timeless message of faith with an exciting new musical presentation. “Glory (Angels We Have Heard)” is a joyful reminder that the birth of Jesus is reason enough for all of Heaven and earth to sing.

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Aaron Williams (feat. Hope Darst) – “Abide (Christmas)”


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Aaron Williams joins forces with worship leader Hope Darst for a beautiful Christmas reimagining of his popular worship song “Abide.” Released October 30, 2026, through Integrity Music, this special version connects the song’s original message of remaining close to God with the wonder and promise of the Christmas story. The newly written verses celebrate the arrival of Jesus as Emmanuel, God with us, drawing on the prophecies of Scripture and the fulfillment of God’s promise through the birth of Christ. Darst’s expressive vocals complement Williams’ heartfelt delivery, creating a worshipful arrangement that invites listeners to reflect on the significance of Jesus coming into the world. The release also includes an intimate acoustic version performed by Williams, offering another way to experience the song’s message. With its combination of Christmas celebration and a timeless invitation to abide in Christ, “Abide (Christmas)” is a meaningful addition to this year’s holiday music offerings.

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Carly Ann Taylor – “How Glorious (Amazing Grace)”


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Curb Records newcomer Carly Ann Taylor offers a beautiful and imaginative Christmas worship song with “How Glorious (Amazing Grace),” released October 30, 2026. Built around the familiar melody of the beloved hymn “Amazing Grace,” the original verses celebrate the incredible wonder of Jesus leaving the glory of Heaven to enter the world as a tiny child in a manger. Taylor’s soaring vocals bring an anthemic quality to the recording, while the lyrics explore the beautiful contrast between the King who once reigned in heavenly glory and the Savior who came to live among us. The song closes with a stripped-down vocal presentation that brings the familiar “Amazing Grace” refrain into the Christmas story, creating a particularly moving conclusion. Written by Taylor alongside Tony Wood and Jeff Pardo, “How Glorious (Amazing Grace)” is a fresh celebration of the incarnation and a reminder of the extraordinary love behind the birth of Jesus.

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Hunter Plake – “It’s Beginning to Look a Lot Like Christmas”


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Hunter Plake puts his own contemporary pop-rock spin on the holiday favorite “It’s Beginning to Look a Lot Like Christmas,” bringing a fresh personality to one of the season’s most recognizable songs. Released October 30, 2026, through BEC Recordings, the single showcases Plake’s distinctive vocal style and energetic musical approach while retaining the cheerful spirit and nostalgic charm of the original. Known for his work as a singer-songwriter and his appearances on The Voice, Plake has continued to build a following through music that blends pop sensibilities with heartfelt performances. This Christmas release offers listeners a fun change of pace from traditional worship recordings, celebrating the excitement, anticipation, and familiar traditions that make the holiday season special. It’s also one of several Christmas recordings Plake is scheduled to release during the 2026 holiday season.

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Will Ellis & Ben Laine – “My Yesterdays Are Gone”


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Will Ellis joins songwriter and fellow Christian artist Ben Laine for “My Yesterdays Are Gone,” a deeply personal song about redemption, forgiveness, and the freedom found in Jesus Christ. Released October 30, 2026, the single grew out of Ellis’s own journey through addiction and the life-changing realization that true freedom comes not from trying harder in our own strength, but from discovering who Jesus is, what He has done, and who He says we are. Drawing on the promise of 2 Corinthians 5:17 that anyone in Christ is a new creation, the song celebrates the opportunity to leave behind the failures and struggles of the past and embrace the new life God offers. Laine contributed to the song’s second verse and bridge, helping bring Ellis’s testimony into a powerful musical declaration of faith. “My Yesterdays Are Gone” is an encouraging reminder that our past does not have to define our future when we place our lives in the hands of Jesus.

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Nai and J – “Follow”


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Husband-and-wife worship duo Nai and J deliver a heartfelt anthem of surrender with “Follow,” a song encouraging believers to remain faithful to God through every season of life. Released October 30, 2026, the single explores what it means to follow the Lord not only when life is going smoothly, but also through seasons of suffering, uncertainty, sorrow, and waiting. Its message centers on the unchanging faithfulness of God and the importance of trusting Him regardless of the circumstances we face. The song’s powerful bridge brings that message into focus with a declaration of surrender, reminding listeners that following Jesus means placing every part of our lives in His hands. Joined by friends and members of their church community in bringing the recording to life, Nai and J have created an encouraging worship song that challenges us to make following the Lord a daily commitment, whatever the road ahead may bring.

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Razzie & OnBeatMusic – Brick After Brick


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Razzie teams up with producer OnBeatMusic for “Brick After Brick,” a thoughtful hip-hop release about rebuilding your life after mistakes, accepting forgiveness, and learning to move beyond the weight of the past. Released October 30, 2026, the song explores the struggle of knowing you’ve been forgiven while still wrestling with guilt, shame, and the temptation to define yourself by yesterday’s failures. Rather than simply offering a motivational message about starting over, the song draws on the Christian understanding of repentance and grace, reminding listeners that forgiveness opens the door to a different future. Its central theme is one of restoration, encouraging us to recognize that our past does not have to determine who we become when we accept the freedom God offers. “Brick After Brick” is an encouraging reminder that rebuilding takes time, but with faith, forgiveness, and a willingness to move forward, a new foundation can be established one step at a time.

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Lady Audri – “My Body”


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Lady Audri takes on a subject that is often discussed in today’s culture with “My Body,” offering a thoughtful Christian perspective on what it truly means to have ownership of our bodies and how that responsibility should shape our choices. Released October 30, 2026, the smooth R&B and pop-inspired single addresses the importance of healthy boundaries, self-respect, patience, and honoring personal convictions, particularly when it comes to intimacy and commitment. Rather than embracing the selfish, individualistic interpretation that often accompanies the familiar declaration “My Body, My Choice,” Lady Audri encourages listeners to look beyond personal desire and consider the greater responsibility we have to honor God with the bodies He has given us. Her message challenges the idea that freedom means simply doing whatever we want, reminding us that genuine self-respect includes recognizing our God-given worth and making choices consistent with our faith. With its contemporary sound and meaningful message, “My Body” offers an opportunity to reconsider a familiar cultural conversation through a distinctly Christian lens.

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🔍 Future Releases

There’s plenty of new Christian music on the way! Here are some upcoming releases we’re looking forward to over the next several weeks. Be sure to check back as release dates approach for more details.

November 6

  • Chris Tomlin – Good News Of Great Joy (Christmas Songs Of Worship) — A new full-length Christmas worship album from one of contemporary Christian music’s most recognizable worship leaders.
  • Big Daddy Weave – It’s Time For Christmas (EP) — A new holiday project from the popular Christian band.
  • We Are Messengers – Rejoice! (A Celtic Christmas LIVE) — A live Christmas collection bringing a Celtic musical flavor to the band’s familiar Christian sound.

November 13

  • Blanca – A Christmas To Remember — The singer’s first full-length Christmas album, featuring original music, familiar carols, Latin influences, and collaborations.
  • Tye Tribbett – V20: First Semester — A major live Gospel project celebrating 20 years of his landmark album Victory, reimagined with a new generation of Gospel performers.
  • Jackie Hill Perry – Still Blameless (Deluxe) — An expanded edition of her recent project.

November 20

  • New Wine Worship – Ready For More (EP) — A live worship project recorded at New Wine Festival 2026, featuring thousands of worshippers gathered together.

December 4

  • Forrest Frank – The Jesus Generation — A highly anticipated new album from one of Christian music’s biggest contemporary names, featuring collaborations with Lecrae, KB, Michael W. Smith, JVKE, and Elevation Rhythm.
  • Jordan St. Cyr – Guide Me Home (EP) — A new project from the Canadian singer-songwriter.

December 11

  • Hunter Plake – No Man Is A Failure Who Has Friends — A forthcoming full-length release from the singer-songwriter we’ve recently featured.

Release Date To Be Announced

  • Third Day – Live From Atlanta, GA: The 30th Anniversary Tour — A special live release celebrating three decades of music from one of Christian rock’s most influential bands.

Release dates are subject to change. Individual songs and albums will be evaluated for their Christian message before being selected for FishWorship features.

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🏆 Artist of the Week

Each week, FishWorship shines a spotlight on a Christian artist whose impact reaches beyond the music itself. From established voices to emerging artists finding their own place in Christian music, our Artist of the Week series celebrates those who bring something meaningful to the genre through their faith, creativity, songwriting, and unique perspective. Our goal is to introduce listeners to artists worth discovering and recognize the many ways Christian music continues to grow, inspire, and make a difference.

This week, FishWorship is excited to introduce Christian singer, songwriter, and worship leader Chelsea Plank! Known for her work with SEU Worship and now stepping into an exciting chapter as a solo recording artist, Chelsea brings heartfelt vocals, an engaging contemporary sound, and a genuine passion for Jesus to her music. We’re looking forward to sharing her story and some of the songs that make her an artist worth getting to know!

Chelsea Plank

Chelsea Plank is an artist whose journey through contemporary Christian music brings together songwriting, worship leadership, ministry, and a genuine desire to help people experience a deeper relationship with Jesus. While many listeners are first discovering her through her recent solo recordings, Chelsea has already spent years contributing to the Christian music world through her work with SEU Worship. Her story is one of following God’s direction, developing the gifts He has given her, and finding opportunities to use those gifts in ways that reach far beyond a recording studio or concert stage.

At FishWorship, one of the things we enjoy most is discovering Christian artists whose music deserves a larger audience. There are so many talented singers, songwriters, worship leaders, and musicians contributing to Christian music, and we love introducing our visitors to artists they may not have encountered before. Some have enjoyed long recording careers, others are just beginning to find their place in the Christian music community, and many have interesting stories about how God has led them along the way. Chelsea Plank is a wonderful example of an artist whose musical journey gives us plenty to explore. Her experience with SEU Worship, her songwriting contributions, and her emerging solo career make her an especially enjoyable choice for our Artist of the Week.

A major chapter in Chelsea’s story began at Southeastern University in Lakeland, Florida. In 2017, after visiting the university and experiencing a powerful season of worship on campus, she decided that SEU was where she wanted to be. She auditioned for the worship team that fall and quickly became involved in songwriting, creative development, and touring. Chelsea graduated in 2021 with a degree in Organizational Communication and later earned a master’s degree in Human Services in 2023. Her educational background and interest in outreach and missions reflect another side of her calling: a desire not only to create music, but also to help people and serve the broader Church.

SEU Worship is a particularly interesting organization because it is not simply a traditional church worship band. It is a worship movement connected to Southeastern University, bringing together students, alumni, faculty, and staff. The collective creates music that grows out of the worship life of the campus and its surrounding community. Students have opportunities to participate in songwriting, recording, creative production, and worship leadership, gaining practical experience while developing their gifts in a Christian environment. Chelsea became one of the important creative voices in that community, eventually serving as SEU Worship director and helping shape the music and ministry of the collective.

One of the first songs many listeners may recognize from Chelsea’s work with SEU Worship is “Monday Morning Faith.” The song carries a message that is both simple and important: our relationship with Jesus should not be limited to Sunday morning. Faith is something we carry into our workplaces, our homes, our relationships, and all the ordinary moments that make up the rest of the week. The song began during a student songwriting session around a piano in Bush Chapel and became one of the standout recordings from SEU Worship’s Heart Cry album. Chelsea’s lead vocals help make it an especially memorable expression of everyday Christian faith.


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Apple Music subscribers: Sign in above to hear the full song.

The Heart Cry album was an important project for SEU Worship, reflecting a desire to return to the heart of worship rather than becoming overly focused on performance. The songs explore seeking God’s presence, sharing faith with others, and allowing our hearts to be shaped by His love. Chelsea played a significant role in the creative direction of the project, working alongside students and other members of the worship community. It is a wonderful example of how Christian music can grow out of a shared desire to worship and serve God.

Another important chapter came with SEU Worship’s Move of God (Live) album. The title song grew out of a season of intense worship and prayer on campus, when the community was experiencing lives being changed and a renewed hunger for God’s presence. Chelsea co-wrote the song and has spoken about the importance of a move of God being something that continues beyond a powerful worship service. True spiritual renewal should affect the way we live, the way we treat others, and the way we carry our faith into everyday life. That perspective gives the song a message that reaches beyond the excitement of a live recording.


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Apple Music subscribers: Sign in above to hear the full song.

Chelsea’s contributions to SEU Worship extend well beyond those two projects. She has been involved in songs including “What A God,” “Slower I Go,” “You Are Good,” “Send Me,” “Fruit Takes Time,” and “A Forgiving God.” Each offers a different perspective on Christian faith. “Slower I Go” encourages listeners to slow down and trust God’s timing. “You Are Good” is a joyful declaration of God’s faithfulness, while “Send Me” challenges believers to become the hands and feet of Jesus, reaching people who need compassion, encouragement, and hope. These songs demonstrate the range of Chelsea’s songwriting and her ability to contribute to music that works both as a personal expression of faith and as a meaningful experience for a congregation.


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Apple Music subscribers: Sign in above to hear the full song.

One particularly meaningful song in Chelsea’s SEU Worship catalog is “A Forgiving God.” Inspired by the parable of the prodigal son, the song reminds us that God’s love is not exhausted by our mistakes or failures. Its picture of a Father waiting for His child to come home is a beautiful reflection of the grace Jesus described in Luke 15. It is a message that reaches anyone who has ever wondered whether they have wandered too far or made too many mistakes to be welcomed back. The answer offered by the song is an encouraging one: God is still calling, and His arms remain open.


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Apple Music subscribers: Sign in above to hear the full song.

In 2026, Chelsea began sharing more of her own musical identity through solo releases. While her work with SEU Worship introduced her voice and songwriting to a growing audience, her solo recordings give listeners an opportunity to experience her music from a more personal perspective. “When You Give It Up,” the video featured at the beginning of this page, is a wonderful introduction to this new chapter. Its reflections on growing older, changing seasons, memories, and learning to let go give the song a relatable quality. There is an encouraging spiritual message beneath those familiar experiences: life changes, but we can trust God as He leads us into what comes next.

Her other solo recordings continue exploring different aspects of faith and the Christian journey. “Moonlight” brings a bright, upbeat sound and celebrates the freedom and joy of discovering God’s love. “I’m Going” is about trusting God enough to follow even when we cannot see exactly where the road leads. Both songs show Chelsea exploring the possibilities of contemporary Christian pop while keeping the message of faith at the center of her music.


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Apple Music subscribers: Sign in above to hear the full song.
Apple Music subscribers: Sign in above to hear the full song.

Chelsea’s newest solo project, Make Me Willing – EP, adds another meaningful chapter to that journey. The title track expresses a prayer that many Christians can probably relate to: asking God to make us willing when our own hearts are hesitant. Rather than pretending that surrender always comes naturally, the song acknowledges that we sometimes need God’s help even to want what He wants for us. It is an honest and humble approach to faith, recognizing that spiritual growth is not simply a matter of trying harder, but of inviting God to work within us. The EP brings together that title song with “Moonlight,” “When You Give It Up,” and “I’m Going,” creating a collection that explores trust, surrender, freedom, and following Jesus.


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What makes Chelsea Plank especially interesting to us at FishWorship is the combination of her experience and her willingness to keep moving into new creative territory. She has been part of a successful worship collective, helped write songs that are being sung by Christians around the world, participated in touring and ministry, and now has the opportunity to develop her own voice as a solo artist. Those experiences are connected by a consistent desire to use music as a way to point people toward Jesus.

We also appreciate that Chelsea’s story reminds us that Christian music is about more than a particular sound or style. Worship can be expressed through an energetic contemporary song, a reflective pop recording, a congregational anthem, or a quiet prayer asking God to change our hearts. The musical approach may vary, but the purpose remains the same: to honor God and encourage people to grow closer to Him.

We’re delighted to welcome Chelsea Plank to FishWorship as our Artist of the Week. Whether you’re already familiar with her work through SEU Worship or you’re just discovering her solo music, we hope you’ll spend some time exploring her songs and getting to know her journey. There is plenty to enjoy, and we’re excited to see where God takes her next. Welcome to FishWorship, Chelsea!

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💾 AI Worship Discovery

Welcome to AI Worship Discovery, our weekly exploration of Christian music created entirely with artificial intelligence. This emerging form of music combines technology and creativity to produce original songs of worship, praise, encouragement, and faith. Each week, we highlight AI-created Christian music that offers a glimpse into this fascinating new frontier while keeping the focus where it belongs: on the message of faith and the worship expressed through the music.

“Blessed Be Your Name”

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What happens when one of contemporary Christian music’s most recognizable worship songs trades its familiar worship-band arrangement for the larger-than-life sound of 1980s hair metal? You crank up the guitars, bring on the soaring vocals, turn up the drums, and get ready for a musical journey that puts a whole new spin on a beloved song of praise!

Today’s AI Worship Discovery takes us into the world of hair metal with a reimagining of “Blessed Be Your Name,” the powerful worship song written by Matt Redman and his wife, Beth Redman. Think of the era when electric guitars ruled the airwaves, drum fills were an event unto themselves, and rock bands delivered every chorus as though they were playing to a stadium full of fans. Now imagine that musical energy channeled into a song whose message is about praising God through every season of life. That’s the kind of musical contrast that makes exploring AI worship recreations so much fun!

Hair metal, with its big sound, dramatic arrangements, and unapologetically bold musical personality, might seem like an unexpected home for a contemporary worship anthem. Yet there’s something fitting about bringing that larger-than-life rock sound to a song that makes such a powerful declaration of faith. The musical style may be different, but the heart of the song remains the same: God is worthy of our praise when life is wonderful, when the road gets difficult, and when we can’t see what lies ahead.

This is exactly what makes the FishWorship AI Worship Discovery experience so interesting. We’re not simply changing the instruments behind a familiar melody. We’re exploring how different musical styles can present a familiar message in a fresh way. A song that many listeners associate with contemporary worship services can take on a completely different personality when it enters the world of arena rock. The guitars may be louder, the drums may hit harder, and the performance may have the swagger of a classic rock anthem, but the declaration of faith remains at the center.

So turn up the volume, embrace the electric guitars, and join us as we discover another musical dimension of Christian worship!

The Story Behind “Blessed Be Your Name”


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Before we explore the history of this song, it’s worth considering why “Blessed Be Your Name” has remained such a meaningful part of contemporary Christian worship. Some worship songs celebrate the joy of knowing God, while others focus on His faithfulness, His promises, or the wonder of His creation. This song brings those ideas together in a particularly powerful way by asking a question that every believer eventually faces: Will we continue to praise God when life doesn’t go the way we hoped?

Written by Matt Redman and Beth Redman in 2001, “Blessed Be Your Name” emerged during a period of profound sorrow and uncertainty. The September 11 terrorist attacks had shaken the United States and affected people around the world. In the weeks that followed, the Redmans spent time in California, visiting churches and encountering people struggling to process the tragedy. They recognized that worship music needed to give Christians a way to express their faith not only in moments of celebration but also in times of grief, suffering, and unanswered questions.

Matt and Beth observed that many contemporary worship songs focused on joy and thanksgiving, yet there was a shortage of songs that helped congregations give voice to pain and sorrow. Their response was not to write a song that attempted to explain every tragedy or provide easy answers to life’s hardest questions. Instead, they wrote a song about continuing to bless God’s name through both the good times and the difficult ones.

That distinction is central to understanding the song. “Blessed Be Your Name” doesn’t pretend that suffering isn’t real, nor does it suggest that faith means we will always feel happy. It acknowledges that life contains seasons of abundance and seasons of wilderness, moments when everything seems to fall into place and moments when the next step is difficult to see. Through all of them, the song calls believers to remember God’s worthiness and choose to trust Him.

The song’s central inspiration comes from the biblical story of Job, particularly Job 1:21. After experiencing devastating losses, Job acknowledges both the Lord’s giving and taking away while continuing to bless the name of the Lord. That passage is difficult precisely because it confronts the reality of suffering without reducing faith to a formula. The Redmans drew on that biblical foundation to create a contemporary worship song that could help people express steadfast faith in circumstances they might never have chosen.

The result was a song that gave congregations language for a part of the Christian experience that can be difficult to express. It is easy to sing praises when prayers are answered, opportunities open up, families are healthy, and life feels full of promise. It takes a different kind of faith to continue trusting God when the road leads through disappointment, uncertainty, or loss.

And that is why this song reaches beyond any single moment in history. Although the circumstances surrounding its creation were deeply connected to the aftermath of September 11, its message speaks to the ordinary and extraordinary struggles people experience throughout their lives. The song reminds us that worship is not limited to our happiest moments. It can also become an expression of trust when we are still waiting for answers.

From a Song of Suffering to a Modern Worship Classic


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The early 2000s were an important period for contemporary Christian worship music. Songs written by artists such as Matt Redman were becoming familiar across churches, youth gatherings, worship conferences, and Christian music communities around the world. Redman had already written influential songs, including “The Heart of Worship” and “Better Is One Day,” but “Blessed Be Your Name” would become one of the defining songs of his career.

The song appeared on Matt Redman’s 2002 album Where Angels Fear to Tread. Its straightforward melody and memorable chorus made it accessible to congregations, while its message gave it a depth that extended well beyond a typical celebration song. Worship leaders could introduce it to a congregation without requiring complicated musical arrangements, yet the words addressed circumstances that were anything but simple.

One of the song’s strengths is its musical balance. The familiar progression moves steadily forward, allowing the verses to contrast abundance with hardship before building toward the repeated declaration of praise. That simplicity is part of what makes the song so adaptable. It can be performed with a modest acoustic arrangement, a full contemporary worship band, a choir, or a much more elaborate musical treatment.

And, of course, that brings us right back to today’s hair metal edition! 🤘

The original composition already has a strong, driving foundation. Give it electric guitars, a bigger drum sound, dramatic vocal delivery, and the kind of energy associated with classic arena rock, and suddenly the song can feel right at home in a completely different musical environment. The contrast is fun, but it also demonstrates something important about the song itself: its central message is strong enough to travel across musical styles.

Tree63 Helps Bring the Song to a Wider Audience


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An important chapter in the song’s history came in 2003, when South African Christian rock band Tree63 released its own version of “Blessed Be Your Name.” Their interpretation brought a more rock-oriented sound to the song and helped introduce it to an even broader Christian music audience.

Tree63’s version became a major success on Christian radio in the United States, reaching No. 2 on Billboard’s Christian Songs chart. The band’s recording demonstrated that the song could work beyond the familiar contemporary worship setting in which many listeners first encountered it.

That history makes today’s AI Worship Discovery particularly interesting. Rock reinterpretations are not entirely new territory for “Blessed Be Your Name.” Tree63 had already demonstrated how the song could take on a different musical personality while retaining its message of faith and praise.

Our hair metal recreation takes that exploration in another direction. Rather than simply reproducing the sound of a contemporary worship band, it invites us to imagine the song through the lens of an entirely different rock era. It’s a reminder that Christian music doesn’t have to be confined to one particular arrangement or sound to communicate a meaningful message.

The song’s history also reflects a broader truth about contemporary worship music: songs can move from the setting in which they were written into churches, radio broadcasts, personal playlists, and new interpretations by musicians working in different styles. A song that begins with a particular moment in history can eventually become part of the musical vocabulary of Christians who were not even born when it was first written.

The Biblical Message Behind the Music

Of all the things that make “Blessed Be Your Name” memorable, its message may be the most important. At its heart, this is a song about the decision to praise God regardless of whether life is going according to plan.

The biblical story of Job provides the foundation for that message. Job experiences tremendous suffering and loss, yet the opening chapter of his story records his declaration that the Lord gives and takes away, followed by his decision to bless the Lord’s name. The song draws on that difficult passage to explore a faith that does not depend entirely on favorable circumstances.

That doesn’t mean Christians must pretend that suffering is easy or that grief should be ignored. The song’s background reminds us of precisely the opposite: people need ways to express their faith while acknowledging pain, uncertainty, and loss. Worship can include gratitude and celebration, but it can also include the honest recognition that life sometimes brings experiences we struggle to understand.

The message is especially meaningful because the song places good times and difficult times side by side. We can thank God when our lives are filled with blessings, when our families are doing well, and when opportunities seem to be opening before us. But what happens when the circumstances change? What happens when a prayer goes unanswered, a plan falls apart, or the future becomes uncertain?

“Blessed Be Your Name” points toward a response rooted in trust. God remains worthy of praise, not simply because of what we receive, but because of who He is. The song invites believers to make praise a conscious expression of faith rather than merely a reaction to good circumstances.

This is also why the song can speak to different generations. Its original context was connected to the grief and uncertainty following September 11, 2001, but its message extends to countless other situations. People experience illness, disappointment, financial hardship, broken relationships, and the loss of loved ones. The circumstances differ, but the question of how to maintain faith through difficult seasons remains familiar.

And that is where the message of the song rises above its musical arrangement. Whether the instruments are acoustic guitars, a contemporary worship band, a full orchestra, or a wall of electric guitars worthy of an arena rock concert, the central declaration remains the same: God is worthy of our praise in every season.

Why Hair Metal Makes Such an Interesting Reimagining

There is something wonderfully unexpected about taking a song with such a serious and deeply rooted message and presenting it through the bold musical language of hair metal.

The genre is known for its dramatic guitar work, powerful drums, soaring vocals, and larger-than-life performances. It developed a distinctive identity during the 1980s, when rock bands embraced big choruses, expressive guitar solos, and arrangements designed to fill arenas. Its sound is instantly recognizable, and it brings a sense of excitement and theatrical energy to almost anything it touches.

That makes it an intriguing choice for a song like “Blessed Be Your Name.” The original message is not about putting on a show or celebrating the good life. It’s about remaining faithful through both joy and sorrow. Yet the dramatic character of hair metal can provide a compelling musical backdrop for that declaration of faith.

Think about the emotional range involved. A powerful rock arrangement can convey determination, confidence, and the refusal to give up when the road becomes difficult. Those qualities can complement a song about choosing to trust God even when life doesn’t make sense.

The result is not necessarily a replacement for the original recording or the way a congregation might sing the song on Sunday morning. Instead, it offers another way to experience a familiar composition. Some listeners may prefer the original contemporary worship arrangement, while others may find that the energy of a rock interpretation helps them hear the song differently.

That is the fun of musical exploration. We can appreciate the original while enjoying what happens when musicians take a familiar song in an unexpected direction. And when AI makes it possible to explore a wide variety of musical treatments, the possibilities become especially interesting.

Welcome to the FishWorship AI Multiverse!

Today’s hair metal edition of “Blessed Be Your Name” is another reminder of why we created AI Worship Discovery and why we’re excited to continue exploring this expanding musical landscape through the FishWorship AI Multiverse.

The idea isn’t to change the meaning of these songs or suggest that one musical style is inherently better than another. It’s to explore the creative possibilities of AI while keeping the original songs and their Christian messages at the center of the experience.

From “Awesome God” to today’s hair metal take on “Blessed Be Your Name,” each discovery gives us another opportunity to hear a familiar song in a new way. Some arrangements may surprise us, some may make us smile, and others may lead us to reconsider a song we’ve known for years.

But underneath the different instruments, genres, and production styles, the message of faith remains the reason these songs matter.

So crank up those guitars, enjoy today’s musical journey, and take a moment to reflect on the powerful message behind the music. Whether we’re celebrating the blessings in our lives or navigating a difficult season, may we remember that worship is not reserved for the moments when everything goes right.

Today’s AI Worship Discovery: “Blessed Be Your Name” — Hair Metal Edition! 🤘🎸

Welcome to the FishWorship AI Multiverse, where familiar Christian songs explore new musical dimensions while their messages of faith, hope, and praise remain at the heart of the journey.

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🎶 Praise Song of the Week

Welcome to Praise Song of the Week! Each week, we choose a song that invites us to lift our voices, turn our hearts toward God, and celebrate the joy of worship. Along with this week’s featured praise song, we’ll share a notable performance that brings the song to life in a special way. Take a listen, worship along, and enjoy this week’s selection!

“Give Thanks” – Carman


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Our Praise Song of the Week is “Give Thanks,” a beloved worship song that has encouraged Christians around the world to pause, reflect, and remember the goodness of God. This week, we’re beginning with Carman’s version, an especially heartfelt expression of this timeless song. There is something about Carman’s approach that invites us to move beyond simply singing the words and into a place of prayerful worship. His presentation encourages us to consider what we’re saying, why we’re thankful, and how the gift of Jesus Christ changes the way we see everything else in our lives.

One of the beautiful things about Christian music is that a familiar song can speak to us differently depending on the season we’re experiencing. Sometimes we sing with joy because we’re celebrating an answered prayer. Other times, we sing because we need to be reminded that God is still faithful, even when our circumstances are difficult. And sometimes, we simply need to become quiet before the Lord, set aside our worries for a moment, and remember the greatest gift we’ve ever received. “Give Thanks” gives us an opportunity to do all three.

As we listen to Carman’s rendition, let’s approach this song as more than a musical performance. Let it become an invitation to prayer. Think about the blessings God has placed in your life, the challenges He has helped you endure, and the promises that continue to give you hope. Consider the people who have encouraged you along the way, the prayers that have been answered in unexpected ways, and even the difficult seasons through which your faith has grown. Gratitude doesn’t require us to pretend that everything is perfect. Rather, it reminds us that God’s goodness remains worthy of our praise, regardless of what today may bring.

That’s why we’re so pleased to feature “Give Thanks” as this week’s Praise Song of the Week. It’s a simple song with a profound message, and Carman’s heartfelt presentation provides a wonderful starting point for reflecting on what it means to worship with a grateful heart.

“Give Thanks” was written in 1978 by Henry Smith, an American Christian songwriter whose personal circumstances give additional meaning to the song’s message. Smith had recently completed his college education and was struggling to find steady employment. He was also facing a degenerative eye condition that would eventually leave him legally blind. During this challenging period, he drew inspiration from Scripture, particularly the message of 2 Corinthians 8:9, and wrote a song that would ultimately become one of the most recognizable praise songs in contemporary Christian worship.

The song’s journey into churches around the world is a remarkable story in itself. Smith and his future wife, Cindy, initially sang it at their church. A military couple who attended the church subsequently took the song with them to Germany, where they were stationed. Through that connection, the song began to travel beyond its original setting. By the time Smith heard a recording of it in 1986, “Give Thanks” had already been recorded dozens of times, and its composer had even been listed as unknown in one recording’s credits. What began as a personal expression of faith had become a song that Christians in many places were embracing as their own.

The heart of “Give Thanks” is found in its simple declaration of gratitude to God for giving us Jesus Christ, His Son. It then moves into a striking expression of spiritual perspective: the weak can declare their strength, and the poor can declare their riches, because of what the Lord has done for us. These aren’t statements about having unlimited physical strength or accumulating material possessions. They point us toward a deeper understanding of the riches we have in Christ.

The song reminds us that our identity and hope are not determined solely by what we possess, how successful we appear to others, or how much control we seem to have over our circumstances. God’s grace changes the way we understand our lives. We may feel weak, yet find strength in Him. We may feel that we lack so much, yet recognize the immeasurable value of His love and salvation. The song turns our attention away from the world’s measurements of success and toward the spiritual blessings that cannot be measured by earthly standards.

Its message also connects beautifully with the biblical call to give thanks in all circumstances. First Thessalonians 5:18 encourages believers to give thanks in every situation, while 2 Corinthians 12:9–10 speaks of finding strength in weakness through God’s grace. These passages help illuminate the deeper meaning of the song: gratitude is not merely a response to receiving everything we want. It is a response to recognizing who God is and what He has already done for us.

And at the center of it all is Jesus. The song doesn’t direct our gratitude toward a vague sense of good fortune or simply encourage us to appreciate the pleasant things in life. It specifically points us to the gift of Christ. Whatever else may change, we can return to the cross, remember the love demonstrated there, and find reason to worship. That is what makes “Give Thanks” such a powerful song for both personal devotion and congregational worship.

Its simplicity is part of its strength. The message is easy to understand, but it offers something to contemplate throughout a lifetime of faith. We can sing it as new believers discovering the wonder of God’s grace, as longtime Christians reflecting on His faithfulness, or as people walking through difficult circumstances who need a reminder of the hope we have in Him.

And that brings us back to Carman’s version. When a song carries this much spiritual meaning, the way an artist presents it can help us hear familiar words with renewed attention. His heartfelt rendition encourages us to slow down, listen carefully, and allow the message to become personal. Rather than rushing through the familiar phrases, we can use them as an opportunity to reflect, pray, and give thanks to the One who has given us so much.

While Carman’s version gives us a heartfelt introduction to this song, we also want to share a couple of additional expressions that demonstrate how “Give Thanks” continues to find a place in the hearts of new generations of worshipers. The beauty of a song rooted in biblical truth is that it can be presented in different musical styles, interpreted through different artistic perspectives, and still lead us back to the same unchanging message of gratitude to God.

Abbie Gamboa & UPPERROOM

Our first additional selection comes from Abbie Gamboa and UPPERROOM, whose recording appears on the 2023 release pure. If you’re familiar with contemporary worship, you’ll recognize an approach that places a strong emphasis on creating space for personal reflection and an extended encounter with the Lord.


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What makes this version a meaningful addition to our presentation is the way it brings a familiar worship song into a contemporary worship setting. Rather than simply revisiting a song from an earlier era, Abbie Gamboa and UPPERROOM offer another opportunity to engage with its message in a musical environment that will resonate with many modern worshipers.

There’s a special quality to hearing a song we’ve known for years presented by a new generation. The words may be familiar, but our own lives have changed. We’ve experienced new joys, faced unexpected difficulties, and learned lessons about faith that we couldn’t have fully understood when we first heard the song. Returning to these words can remind us that thanksgiving isn’t something we outgrow. As our understanding of God’s grace deepens, so can our appreciation for the gift at the heart of this song.

This is also a wonderful reminder that worship doesn’t have to be confined to one musical style or generation. Whether a song is accompanied by the familiar sounds of traditional praise music or presented through a contemporary worship arrangement, its purpose remains the same: to direct our hearts toward God. If Abbie Gamboa and UPPERROOM’s version is new to you, take a moment to listen and consider what this familiar message means in your life today.

Maranatha! Praise Band

Our second additional selection comes from Maranatha! Praise Band, whose recording of “Give Thanks” appears on the group’s Top 50 Praise & Worship Songs 2013 collection. The recording was originally released in 1999.


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For many Christians, this style of recording may be the sound they most readily associate with “Give Thanks.” Maranatha! has long been associated with praise and worship music, and its recordings have helped introduce generations of listeners to songs that became familiar in churches, small groups, and personal devotional times.

There’s something special about these classic praise recordings. They bring to mind an era when contemporary praise choruses were becoming a regular part of church worship, giving congregations simple, memorable songs they could sing together. “Give Thanks” fits naturally into that tradition. Its accessible melody and concise message make it easy for a congregation to join in, while its biblical foundation gives the song a depth that goes well beyond its simplicity.

Perhaps you remember singing this song in church many years ago. Maybe it was part of a Sunday morning service, a special time of prayer, a worship gathering, or a quiet moment when you needed encouragement. For some, hearing this version may bring back memories of people and places that helped shape their faith. For others, it may simply offer the comfort of a familiar song that has remained meaningful through the years.

And that’s one of the remarkable things about songs like “Give Thanks.” They become part of our spiritual journey. We may hear them at a particular point in our lives, then encounter them again years later with a different perspective. The melody brings back memories, but the message meets us where we are today.

Maranatha! Praise Band’s version gives us another opportunity to appreciate the enduring place of this song in Christian worship. Alongside Carman’s heartfelt rendition and the contemporary interpretation from Abbie Gamboa and UPPERROOM, it illustrates how one song can speak through different musical expressions while retaining its central message.

As we wrap up this week’s Praise Song of the Week, we hope these three versions of “Give Thanks” encourage you to spend a little time reflecting on the goodness of God. Each recording offers a different musical experience, but all three bring us back to the same essential truth: we have reason to be thankful because of what the Lord has done for us.

Perhaps today is a season of blessing, and gratitude comes easily. If so, take time to acknowledge those blessings and give God the praise He deserves. Or perhaps you’re facing circumstances that make thanksgiving more difficult. If that’s where you find yourself, remember that gratitude doesn’t mean ignoring your struggles or pretending that pain doesn’t exist. It means recognizing that even in our weakness, we can turn to the One whose grace is sufficient.

The gift of Jesus Christ remains our greatest reason to give thanks. His love gives us hope, His grace meets us in our weakness, and His promises remind us that our present circumstances don’t tell the whole story. We can approach Him honestly, bring our burdens to Him in prayer, and remember that our hope rests in something far greater than anything this world can offer.

So, whether you prefer Carman’s heartfelt interpretation, the contemporary worship expression of Abbie Gamboa and UPPERROOM, or the familiar sound of Maranatha! Praise Band, we invite you to let this song become more than something you listen to. Make it a prayer. Let it remind you of the blessings you may have overlooked, the grace you’ve received, and the Savior who is worthy of your praise.

Thank you for joining us for this week’s Praise Song of the Week. May “Give Thanks” encourage you to carry a spirit of gratitude into your worship, your prayers, and your everyday life.

Give thanks with a grateful heart. Today, tomorrow, and always, may our lives reflect our gratitude for all the Lord has done for us.

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Christian Music You May Have Missed

There’s always more great Christian music being released than any one of us can keep up with. So each week, we’re highlighting some of the music you may have missed—new music from familiar voices, emerging artists, and worship leaders who are giving us something worth hearing. Here are this week’s selections from Christian Music You May Have Missed!

🎵Songs

Josiah Queen – “out of breath”


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Apple Music subscribers: Sign in above to hear the full song.

Have you ever thought about what it would mean to reach the finish line of life knowing you had given everything you had to follow Jesus? That’s the powerful idea behind Josiah Queen’s “out of breath.” This energetic song challenges us to think about how we’re spending the time God has given us. Are we living with purpose, sharing His love, and growing in our faith? Or are we just going through the motions? Josiah wants to run his race with everything he’s got, and he’s not interested in holding anything back!

The song uses the imagery of life as a marathon to remind us that our time here is precious. It’s easy to become comfortable, get distracted by everyday concerns, or settle into a faith that never really moves us to action. But following Jesus is about so much more than simply showing up on Sunday mornings! Our faith should shape the way we live, the way we treat others, and the way we respond to the opportunities God puts in front of us. What if we approached each day with that kind of passion and determination?

And the finish line Josiah is running toward? Heaven itself! Imagine reaching the end of your earthly journey knowing you’ve given your heart, your time, and your talents to the Lord, looking forward to the day you finally see Him face-to-face. What a wonderful goal for every believer! “out of breath” is an energetic reminder to run our race with purpose, keep our faith alive, and give Jesus our very best. We only get one life here on earth, so let’s make it count!

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Ben Fuller – “Falls Through”


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Sometimes life can change in a single moment. One phone call, one unexpected loss, or one heartbreaking disappointment can leave us wondering how we’re going to pick up the pieces. That’s the kind of situation Ben Fuller explores in “Falls Through,” a powerful song about what happens when life falls apart and we have to decide where to turn. We’ve all faced moments when our plans didn’t work out, and sometimes the pain can be overwhelming. But Ben reminds us that even when everything else seems uncertain, we can still run to Jesus!

One of the most moving aspects of this song is its honesty about the struggle to cope with heartbreak. Ben sings about trying to deal with pain in the wrong ways in the past, only to discover that doing things his own way wasn’t the answer. There’s something deeply relatable about that admission! We can spend so much time trying to fix everything ourselves that we forget the One who has been there for us all along. The song becomes a reminder that turning to Jesus isn’t a sign of weakness. It’s recognizing where our true strength and hope are found.

And here’s the beautiful message at the heart of “Falls Through”: God doesn’t promise that we’ll never experience loss, disappointment, or dark days, but we don’t have to face them alone. Jesus can meet us in our brokenness, bring light into our darkest moments, and help us begin again. No matter how far we’ve wandered or how badly things have gone wrong, His grace offers us another chance. So if you’re going through a difficult season today, let this song remind you that when everything else falls through, Jesus is still there, ready to catch you when you fall and help you put the pieces back together.

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CAIN – “Thank You For My Whole Life”


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Some songs remind us to ask God for help, and others remind us to stop and thank Him for everything He has already done. “Thank You For My Whole Life” by CAIN is a beautiful reminder that gratitude isn’t just for the days when everything goes right. It’s easy to praise the Lord when we’re standing on the mountaintop, celebrating a victory, or watching a long-awaited prayer come true. But what about those sleepless nights, those moments when we don’t know what to do next, and those seasons when life just doesn’t make sense? CAIN reminds us that God deserves our thanks through every one of them!

One of the most encouraging messages in this song is that God has been faithful even during the times when we couldn’t see it for ourselves. Looking back, we may recognize moments when He carried us through difficulties we thought we couldn’t survive, opened doors we never expected, or gave us strength when our own faith was running low. And sometimes, He was working in ways we didn’t understand until much later. Our struggles aren’t necessarily things we would choose, but God can use even the painful chapters of our lives to shape us, strengthen our faith, and give us a testimony of His grace.

What makes this song especially meaningful is its reminder that we don’t have to wait until life is perfect to give thanks. We can thank Jesus for another day, for the breath in our lungs, for His forgiveness, and for the assurance that He hasn’t given up on us. We can even praise Him in the middle of the mess, trusting that He is still with us. “Thank You For My Whole Life” encourages us to look at our lives through the lens of God’s faithfulness, recognizing that every chapter—both the joyful and the painful—can become part of our testimony. What a wonderful reminder to live with grateful hearts and give Jesus the praise He deserves!

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Brandon Lake – “Changing”


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Brandon Lake is known for powerful worship anthems that get us singing our hearts out to Jesus, but this time he’s bringing a little country flavor to our Christian music playlist! “Changing” is a fun, upbeat look at all the things in life that seem to be constantly changing, from everyday routines and personal habits to friendships, plans, and the places we call home. With its country-inspired sound and down-to-earth lyrics, Brandon gives us something a little different from his usual worship style, while still sharing a message that fits right in with his faith.

So what’s the big idea behind the song? Life changes, sometimes in ways we never expected, but that doesn’t mean we have to lose sight of what matters most. Brandon sings about the things that remain important to him: his Southern roots, the woman he loves, family life, and his faith in God. He gives us a glimpse of the simple pleasures that make life meaningful, from fishing trips to familiar hometown traditions. And I think there’s something refreshing about that! We can get so caught up chasing the next big thing that we forget to appreciate the blessings God has already placed right in front of us.

But there’s another important message here: changing and growing doesn’t mean abandoning who you are or what you believe. We all have things we need to change, whether it’s a bad habit, a fear, or some hurt we’ve been carrying around for far too long. God can work in our hearts and help us grow without asking us to forget the values that keep us grounded. Brandon’s song reminds us that it’s okay to embrace new seasons of life while holding on to our faith, our loved ones, and the things that truly matter. So enjoy this country-flavored side of Brandon Lake, and remember that while plenty of things in life may change, our faith in Jesus can remain our steady foundation!

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Hillsong Worship – “Praise The Lord Hallelujah Amen”


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Sometimes a song comes along that makes you want to put everything else aside, lift your hands, and simply praise the Lord! That’s exactly the feeling behind “Praise The Lord Hallelujah Amen” by Hillsong Worship. This joyful worship anthem centers on the heart of our Christian faith: Jesus Christ has overcome death, His victory is our hope, and He deserves all the praise we can give Him! With its uplifting sound and powerful message, it’s the kind of song that reminds us why we worship in the first place.

At the heart of this song is the incredible good news of the Gospel. Jesus willingly gave His life for us on the cross, but the grave couldn’t hold Him! He rose again, defeating sin and death and opening the way for us to have eternal life through Him. That’s not just a story we remember at Easter; it’s the foundation of our faith every single day. When we sing praises to Jesus, we’re celebrating a victory that changed everything and a love that reaches farther than we can imagine. And no matter what we’re facing today, that truth gives us a reason to rejoice!

I especially love the simplicity of the song’s central message. Sometimes we try to find just the right words to express our gratitude to God, but there’s a reason Christians have been saying “Hallelujah!” for centuries. It means “Praise the Lord,” and sometimes those three words say it all! We praise Him for His sacrifice, celebrate His resurrection, and look forward to the day when we will see Him face-to-face. “Praise The Lord Hallelujah Amen” is an invitation to make worship more than just a Sunday activity and to carry that spirit of gratitude into every day of our lives. Whatever your circumstances today, you can always find a reason to praise the Lord. Hallelujah! Amen!

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Jordan Rowe – “If Jesus Lived In My Hometown”


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What if Jesus showed up in your hometown today? Not in some faraway place or in the pages of a Bible story, but right here on the streets you drive every day, in the places where you shop, and among the people you see around town? That’s the intriguing question behind “If Jesus Lived In My Hometown” by Jordan Rowe. With a country sound and a down-to-earth perspective, Jordan invites us to imagine what it might look like if the Savior walked right into our everyday lives. And it’s an idea that gives us plenty to think about!

When we read the Gospels, we see Jesus meeting people exactly where they are. He spent time with ordinary folks, welcomed those others overlooked, showed compassion to the hurting, and offered hope to people who desperately needed it. He wasn’t waiting for people to get their lives perfectly together before He reached out to them. He met them in their struggles, their workplaces, their homes, and their communities. Jordan’s song brings that biblical picture closer to home, encouraging us to imagine how our own neighborhoods might look if we saw people through the eyes of Jesus.

And here’s where the song really challenges us: Jesus may not be physically walking the streets of our hometown today, but His followers are! We have opportunities every day to show His love through a kind word, a helping hand, a willingness to forgive, or simply taking the time to listen to someone who needs a friend. We don’t have to travel halfway around the world to make a difference for Christ. Sometimes our most important mission field is right outside our front door. So as you listen to Jordan Rowe’s “If Jesus Lived In My Hometown,” ask yourself this: If Jesus were walking through your town today, what would He notice, who would He reach out to, and how could you help show His love to the people around you?

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Jordan Colle – “Worthy Of All Of It”


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Every now and then, we need a reminder that worship isn’t just about the blessings we receive or the prayers that get answered the way we hoped. It’s about who God is and how worthy He is of our praise, no matter what life brings our way. That’s the heart behind “Worthy Of All Of It” by Jordan Colle. This powerful worship song points us back to the greatness of Jesus, reminding us that He deserves our praise not just when we’re celebrating victories, but in every season of life.

Think about everything God has brought you through. There have probably been days when His goodness was easy to see, when doors opened, prayers were answered, and joy seemed to come naturally. But there have also been difficult seasons, moments of uncertainty, and times when you wondered how things would ever work out. Our circumstances may change from one day to the next, but God’s character doesn’t change. He remains faithful, loving, and sovereign, even when we can’t see the bigger picture. That’s why our worship can be rooted in who He is rather than simply in how we’re feeling at the moment.

The title says it beautifully: Jesus is worthy of all of it! He’s worthy of our gratitude when life is good, our trust when life is hard, and our praise even when we don’t have all the answers. He’s worthy of the songs we sing on Sunday morning, but He’s also worthy of the way we live on Monday afternoon. Every part of our lives can become an offering to Him when we surrender our plans, our worries, and our hopes into His hands. “Worthy Of All Of It” reminds us that God doesn’t have to give us everything we want to deserve everything we can give Him. He is worthy simply because He is God, and that’s reason enough to lift our voices and praise His name!

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Megan Woods – “Living Miracle”


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Have you ever stopped to think about just how amazing it is that you’re here? Every one of us has a story, and sometimes we get so caught up in the challenges of everyday life that we forget what a gift life itself really is. That’s the beautiful message behind “Living Miracle” by Megan Woods. Known for her heartfelt Christian music and powerful testimony, Megan reminds us that our lives aren’t accidents and that every person has a God-given worth and purpose. Sometimes we need to step back, look at ourselves through God’s eyes, and remember just how wonderfully He has made us!

It’s easy to look at our struggles, our shortcomings, or the things we wish were different about ourselves and wonder whether we’re really making a difference. We compare our lives with other people’s lives and sometimes feel like we’re falling short. But God doesn’t measure our worth the way the world does! He created us, knows us completely, and loves us even when we’re struggling to love ourselves. The fact that we’re here, breathing, growing, learning, and being given another day is something worth celebrating. And even when life gets difficult, God’s grace can bring new hope and remind us that our story isn’t finished.

What makes this message so encouraging is the reminder that a miracle doesn’t always have to look like something dramatic or extraordinary. Sometimes it’s the simple, amazing reality of life itself, the opportunity to experience God’s love, and the chance to make a difference in someone else’s world. Every day gives us another opportunity to reflect His goodness, encourage someone who’s hurting, and share the hope we have in Jesus. “Living Miracle” invites us to stop taking life for granted and recognize that we’re here for a reason. God has given each of us a unique story to live, and we can honor Him by living it with gratitude, faith, and love!

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Sanctus Real – “Days Like These”


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Some days just seem to go right, don’t they? The sun is shining, things are falling into place, and you find yourself appreciating the little things that make life good. Then there are the days when nothing seems to work out quite the way you planned! “Days Like These” by Sanctus Real reminds us to appreciate those moments when life gives us a reason to smile and to recognize the blessings that can be easy to overlook when we’re busy rushing from one thing to the next.

It’s so easy to get caught up in our routines that we forget to stop and appreciate what God has placed right in front of us. We’re thinking about tomorrow’s responsibilities, worrying about yesterday’s mistakes, or wishing our circumstances were a little different. Meanwhile, we’re missing the beauty of the present moment! Sometimes the greatest blessings aren’t the big, life-changing events. They’re the everyday things: time with family, a conversation with a friend, a little laughter when we need it most, or the simple comfort of knowing we’re loved. These ordinary moments can become extraordinary when we learn to see them through grateful eyes.

And here’s something worth remembering: even when we aren’t having one of those wonderful days, God is still faithful. Our circumstances may change, our feelings may go up and down, and some seasons may be harder than others, but His love doesn’t depend on whether today is going according to plan. We can thank Him for the good days, lean on Him through the difficult ones, and trust Him with whatever tomorrow brings. “Days Like These” is a great reminder to slow down, count our blessings, and recognize God’s goodness in the everyday moments that make up our lives. So take a moment today to look around, appreciate the people God has placed in your life, and thank Him for the gift of another day!

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Seventh Day Slumber & Kutless – “Peace Be Still”


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Life can feel like a storm sometimes, can’t it? One minute everything seems fine, and the next we’re dealing with unexpected problems, worrying about the future, or wondering how we’re going to get through whatever is coming our way. That’s why “Peace Be Still,” performed by Seventh Day Slumber and Kutless, is such a powerful reminder for anyone facing difficult circumstances. This Christian rock take on a beloved worship song brings an energetic sound to a message we all need to hear: when the storms of life are raging, we can put our trust in Jesus!

The song’s message takes us straight to one of the most remarkable moments in the Gospels. In Mark 4:35–41, Jesus and His disciples are crossing the Sea of Galilee when a fierce storm arises. The disciples are terrified as the waves threaten to overwhelm their boat, but Jesus is asleep! When they wake Him, He rebukes the wind and commands the sea to be still. And just like that, the storm calms. The disciples are amazed, asking one another who this could be that even the wind and waves obey Him. What a powerful demonstration of the authority of Jesus!

But there’s an important lesson here for us, too. Jesus doesn’t promise that we’ll never face storms in our own lives. We still experience grief, disappointment, uncertainty, and circumstances that leave us feeling overwhelmed. But we can remember that the same Jesus who commanded the sea to be still is with us through every storm we face. Sometimes He changes our circumstances, and sometimes He gives us the peace and strength to endure them. Either way, we don’t have to face them alone. “Peace Be Still” reminds us that our hope isn’t in having a storm-free life, but in knowing the One who has power over every storm. So when the waves start rising around you, call on Jesus, trust in His presence, and remember that even the fiercest storm is not beyond His reach!

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🔍 Monday Memories

Welcome to Monday Memories, where we take a look back at the Christian songs, artists, albums, and moments that have helped shape the music we love. From timeless favorites to songs that may have slipped from memory, each week we revisit a piece of Christian music history and remember why it still matters today.

Christian Skate Nights

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Does anyone remember roller rinks? For those of us who grew up in the ’70s and ’80s, there was something special about lacing up a pair of roller skates, hearing the music playing, and gliding around the rink with friends.

During much of the 1980s, one of the things I loved to orchestrate was Christian Skate Nights at roller rinks throughout the Atlanta area. It was a wonderful opportunity to bring people together for an evening of skating, fellowship, music, and Christian fun. We took something that was already popular with young people and created an opportunity to share our faith in an atmosphere where everyone could have a great time.

And these weren’t just skating parties with Christian music playing over the speakers! Every Christian Skate Night featured a live concert right there on a stage at the skating rink. We brought in talented Christian musicians and singers who performed while everyone enjoyed the evening on wheels. That meant coordinating the performers, setting up the stage and sound equipment, and making sure everything was ready for a great night of music and skating. It was a unique combination of a live concert and a roller rink experience, and that’s a big part of what made these nights so special!

Looking back, those nights bring back some wonderful memories. So, for this week’s Monday Memories, let’s take a trip back to the days of roller rinks, wheels on the floor, music in the air, and Christian Skate Nights around Atlanta!

Songs You Can Skate To

Organizing Christian Skate Nights involved a lot of logistics, including coordinating artist availability, arranging setup and sound checks, and doing plenty of heavy lifting to get everything ready for the event. But there was another important part of the planning: choosing exactly the right music! After all, you have to be able to skate to it! Back then, I worked primarily with female singers, and over time, we discovered some songs that were especially well-suited for keeping those wheels rolling around the rink. Our live performances gave us plenty of room for experimentation, and here are some of the songs we discovered were the most “skatable!”

“Wise Up” – Amy Grant


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Amy Grant’s “Wise Up,” the third single released from her Unguarded album, hit that perfect sweet spot for roller skating when we performed it live! With its upbeat pop-rock sound, driving percussion, energetic guitars, and infectious mid-’80s feel, this song had just the right combination of rhythm and momentum to keep those wheels rolling around the rink. It had enough energy to keep skaters moving without feeling like they were racing around the floor, and performing it live brought an extra dimension of excitement to the experience. This was exactly the kind of song I loved featuring at Christian Skate Nights: great Christian music, a terrific beat, and a live performance that made you want to get out there and skate!

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“Love of Another Kind” – Amy Grant


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Amy Grant’s “Love of Another Kind” was another one of those songs that could really get the roller rink rocking during our live concerts! This was a favorite for skaters who loved to catch the groove and let the music take over. Plenty of folks would find their rhythm and half-step their way around the rink at a comfortable pace, but then there were always those skaters who heard that upbeat tempo and decided it was time to hit the fast lane! They’d fly around the rink lap after lap, matching every bit of that infectious energy and showing off some serious wheels. When we launched into our performance of “Love of Another Kind,” you could count on the rink to come alive, and those who wanted to skate fast knew they had found their soundtrack!

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“Angels” – Amy Grant


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Amy Grant’s “Angels” takes us back a few years before the upbeat energy of “Love of Another Kind,” offering a much more relaxed tempo that many skaters absolutely loved. Not every song needed to send everyone into the fast lane, after all! When we performed “Angels” it gave skaters a chance to settle into a comfortable groove, glide smoothly around the rink, and simply enjoy the moment. It was the kind of song that let you find your own rhythm without having to push the pace, making it a welcome addition to our Christian Skate Night concerts. Sometimes, the best skating songs weren’t about speed at all; they were about finding that perfect flow and letting the live music carry you along!

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Couples Skate – “Love In Any Language” – Sandi Patty


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The “Couples Skate” was always a special part of the roller rink experience, and at our Christian Skate Nights, one of the songs we frequently turned to was Sandi Patty’s beautiful “Love in Any Language.” When we performed this song, couples would pair up, take each other’s hands, and enjoy a few laps around the rink together. It was a chance to slow things down, share a little closeness, and simply enjoy the moment while listening to a song that reminded us that God’s love reaches across every barrier. There was something especially meaningful about watching people skate together as we performed a song with such a beautiful message. It was romance, fellowship, and a reminder of God’s love all rolled into one memorable roller rink experience!

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“Sing Your Praise To The Lord” – Amy Grant


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After the slower, more intimate moments of “Love in Any Language,” we would almost always follow up with Amy Grant’s “Sing Your Praise to the Lord” to get the skating action going again! It was the perfect transition from couples skate back to open skating, with an upbeat rhythm that practically invited everyone to get moving. You could feel the energy building as skaters let go of their partners, found their places on the floor, and started gliding around the rink while we performed the song. It had just the right cadence to get everyone back into their skating groove without missing a beat. And what better way to get the wheels rolling again than with a live performance of a song that celebrates praising the Lord? At our Christian Skate Nights, the music wasn’t just something to skate to; it was part of what made the entire experience so much fun!

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“Old Man’s Rubble” – Amy Grant


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Amy Grant’s “Old Man’s Rubble” has just about the perfect relaxed cadence for skating, that is, unless you decide to double it! Most skaters would settle into that comfortable rhythm and glide around the rink, enjoying the music at a nice, steady pace. But every time we performed this song, there were always a few who decided to double-step the cadence and take things up a notch, flying around the rink as fast as they could! And you know what? It actually works pretty well with this song’s driving beat. The only little catch is that when you’re flying around the floor at twice the speed, you might want to keep an eye out for the other skaters! After all, the goal was to have fun, not to turn Christian Skate Night into a demolition derby! 😂

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“Radically Saved” – Carman


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There was one song I almost always sang myself at our Christian Skate Nights, and that was “Radically Saved” by Carman! Now, I have to give credit where credit is due: the band always did a spectacular job with the song, quite possibly to distract everyone from my own attempt at singing! 😂 But all joking aside, this was one terrific skating song, with an upbeat rhythm that made it easy to keep those wheels moving around the rink. And what surprised me was just how much the crowd loved it! Sometimes, the songs that become crowd favorites aren’t necessarily the ones you’d expect, but “Radically Saved” had that special combination of energy, a great message, and a whole lot of fun. Looking back, I’m glad I got to be part of bringing that song to life at the rink, even if the band had to do a little extra work to make me sound good!

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As the 1980s progressed, our Christian Skate Nights eventually drew to a close. Several of my musician friends headed off to college, and around the same time, roller rinks began closing their doors one after another. Before long, that special season of music, skating, fellowship, and shared memories became a chapter in the past. But some experiences never really leave you, and these nights are certainly among them. When I look back on those years, I remember the music, the laughter, the skaters flying around the rink, and the joy of bringing people together through Christian music. Those Christian Skate Nights will always hold a special place in my heart, and I’m grateful I had the opportunity to be part of something so much fun and so meaningful. The wheels may have stopped turning, but the memories will keep rolling forever!

On that note, I’ll leave you with a song. This one is dedicated to the many lifelong friends who shared the Christian Skate Nights experience with me, week after week. We may have moved on to different chapters in our lives, but the memories we made together will always be a part of me. To the wonderful musicians who worked alongside me to make these nights possible, thank you for sharing your incredible talents, your friendship, and so much of yourselves with me. I love and cherish all of you! ❤️ And to all of you who laced up those skates, shared the music, filled the rink with laughter, and made those nights so special, thank you all for the memories that will last a lifetime.


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📖 Hymn of the Week

There’s something timeless about the great hymns of the Christian faith. Though many were written generations ago, their words continue to speak to the heart, proclaim the truth of Scripture, and lead us into worship. Hymn of the Week is for everyone who believes these beloved hymns should always have a place in modern worship. Each week, we’ll take a moment to revisit one of these enduring songs of faith and celebrate the message, story, and music that have helped generations of believers worship God.

“At the Cross” – Tommy Walker


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When we think about hymns, we often think about songs that have been sung for generations, carrying the same familiar words and melodies from one church service to the next. And there is something beautiful about that continuity. But what happens when we take one of those treasured hymns and add something new—not to replace the original message, but to give us another way to experience it? Today’s Hymn of the Week, “At the Cross,” performed by Tommy Walker from Generation Hymns 3, is a wonderful example of how traditional hymns can find new life in contemporary worship. In this live performance, Walker brings the familiar hymn into a modern worship setting while introducing a newly written bridge that expands upon the song’s central message of salvation, forgiveness, and the sacrifice Jesus made for us.

One of the things we appreciate about this arrangement is that it doesn’t treat the original hymn as something that needs to be discarded or completely rewritten to appeal to a modern audience. Instead, it recognizes the strength of the words that have endured for centuries and builds upon them. The familiar verses and refrain remain at the heart of the song, reminding us of the wonder of Christ’s sacrifice and the personal transformation that comes through faith. Then comes the bridge, with its contemporary worship language: “At the cross where my sins were washed away, at the cross where my penalty was paid.” These words may be new to the hymn, but the truth they express is not new at all. They bring the listener back to the very heart of the original message: Jesus took upon Himself the penalty for our sins, making forgiveness and reconciliation with God possible.

And that is what makes this such an interesting example of how hymns can be adapted thoughtfully. In music, a bridge is a section that introduces a fresh musical or lyrical idea, often providing a change of perspective before returning to the familiar material. (We’re talking about the musical kind of bridge here, not the imaginary one built by the Judds!) In a worship song, a bridge can also give the congregation an opportunity to linger over a particular truth, repeating and reflecting upon it in a way that deepens the worship experience. Walker’s added lyrics do precisely that. Rather than distracting from the hymn’s original message, they reinforce its central theme of redemption and invite us to consider what the cross means personally. The new section gives us additional words with which to express our gratitude for the same grace that Isaac Watts sought to communicate more than three hundred years ago.

This is the kind of adaptation that can help bridge generations in the church, too. Someone who grew up singing “At the Cross” from a hymnal can recognize the words and meaning, while someone more accustomed to contemporary worship music can connect with the arrangement and the added bridge. Neither listener has to leave their musical world behind to participate. The hymn becomes a meeting place between the familiar and the new, between the faith expressed by earlier generations and the faith being expressed today. That is the vision behind Generation Hymns 3, Tommy Walker’s 2022 project featuring eleven treatments of well-known hymns, incorporating new arrangements, bridges, and adaptations to encourage intergenerational worship. The album was recorded live in the studio at Bethesda Community Church in Fort Worth, Texas. Walker’s stated goal for the project is to make these songs accessible to congregations across generations while continuing to teach the promises of God and the foundations of our faith.

And the important thing is that adding something new does not automatically mean changing the meaning of something old. Of course, not every adaptation succeeds in preserving the intent of the original. A new verse or bridge can sometimes take a song in a direction its author never intended. That is why the words matter as much as the music. In this case, the added bridge directs our attention to the same sacrifice that stands at the center of the hymn. The cross is not merely a symbol of suffering or an illustration of religious devotion; it is the place where Christ gave Himself for sinners. The bridge’s emphasis on sins being washed away and the penalty being paid is consistent with the hymn’s original message of grace, gratitude, and the believer’s response to Christ’s sacrifice.

To understand why this matters, we need to look back to the origins of the hymn itself. The words we know today as “At the Cross” began with English hymn writer Isaac Watts, who published the hymn in 1707 under the title “Godly Sorrow Arising from the Sufferings of Christ.” Watts lived from 1674 to 1748 and is widely regarded as one of the most influential hymn writers in the English-speaking Christian tradition. At a time when congregational singing in many churches relied heavily on metrical versions of the Psalms, Watts helped broaden the language of Christian hymnody, writing songs that expressed Christian faith and devotion in direct, personal terms. Rather than simply repeating biblical language, he wrote poetry that encouraged worshippers to reflect on the meaning of Scripture and respond to it with their hearts.

The opening words of this hymn immediately reveal that personal approach: “Alas! and did my Savior bleed? And did my Sovereign die?” These are not detached observations about an event in history. They are questions that bring the singer face to face with the significance of the crucifixion. Why would the sovereign Lord give Himself for sinners? Why would the One who possesses all authority submit to such suffering? And what does that sacrifice mean for someone like me? Watts moves from the wonder of Christ’s suffering to the astonishing love and grace revealed through it. The hymn asks us to recognize the seriousness of our sin while marveling at the depth of God’s mercy.

One of the most striking ideas in the original hymn is that Christ’s sacrifice inspires a response that no amount of human effort could ever repay. Watts writes of the debt of love he owes and concludes with the familiar declaration, “Here, Lord, I give myself away; ’tis all that I can do.” The point is not that we can somehow earn our salvation by offering ourselves to God. Rather, our response of gratitude flows from recognizing what Christ has already done for us. The cross reveals both our need for a Savior and the immeasurable love of the Savior who gave Himself for us. That is why the hymn remains so powerful: it moves from the question of what Christ suffered to the question of how we should respond to His grace.

The familiar refrain that gave the hymn its popular title came later. In 1885, American gospel songwriter and publisher Ralph E. Hudson published a version that paired Watts’s text with the refrain beginning, “At the cross, at the cross, where I first saw the light.” Hudson, who lived from 1843 to 1901, helped establish the version that generations of Christians would come to know simply as “At the Cross.” The refrain brings a personal testimony to Watts’s reflections on Christ’s suffering. Where Watts asks us to contemplate the sacrifice, the refrain celebrates the moment of spiritual awakening and the burden of sin rolling away. The hymn thus brings together the historical reality of the cross and the personal experience of redemption through faith.

That combination helps explain why “At the Cross” has endured for so long. Its message is rooted in the unchanging truth of Christ’s sacrifice, yet its words invite each generation to make that truth personal. The hymn does not merely ask us to remember what happened at Calvary; it asks us to consider what that event means for our own lives. The familiar refrain celebrates the joy of discovering forgiveness, while Watts’s closing verse reminds us that our appropriate response is one of gratitude and surrender.

More than three centuries after Watts first published his hymn, Tommy Walker’s version demonstrates that this message still speaks to us today. The added bridge does not need to replace the original verses or compete with the familiar refrain. Instead, it offers another opportunity to reflect on the sacrifice of Christ and to express our gratitude for the forgiveness made possible through Him. The music may evolve, new words may be added, and arrangements may change, but the central message remains the same.

Perhaps that is one of the most valuable things we can learn from this version of “At the Cross.” Preserving a hymn’s legacy does not always mean performing it exactly as it was first written. Sometimes, it means understanding its message so well that we can find new ways to express that same truth without losing sight of its origins. When a contemporary bridge reinforces the original hymn’s meaning, it can become more than an addition to a familiar song. It can become another invitation to worship, another opportunity to reflect on God’s grace, and another way for a new generation to discover the enduring power of an old hymn.

This week, as we listen to Tommy Walker’s live performance of “At the Cross,” we invite you to appreciate both the familiar words that have carried this hymn through generations and the new expression that brings its message into today’s worship. The bridge may be new, but the reason we sing remains unchanged: At the cross, we see the depth of our need, the greatness of God’s love, and the hope of redemption through Jesus Christ.

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