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Guy Penrod has one of the most recognizable voices in Southern Gospel music, a voice that spent more than a decade at the center of the Gaither Vocal Band before beginning a successful solo career. With his powerful baritone, unmistakable stage presence, and heart for sharing the Gospel through music, Penrod has become a beloved figure among Christian music audiences around the world.
For more than 14 years, Penrod was a featured vocalist with the Gaither Vocal Band, contributing his distinctive voice to countless recordings, concerts, and Gaither Homecoming events. His time with the group helped introduce his music to a generation of listeners while establishing him as one of the leading male voices in contemporary Southern Gospel. In 2009, he stepped into the spotlight as a solo artist with Breathe Deep, beginning a new chapter that would allow him to explore an even broader range of Christian music.
Since then, Penrod has continued to record and perform music that reflects both his Southern Gospel roots and his desire to point listeners toward Christ. Whether singing a traditional hymn, a powerful Gospel anthem, or an intimate song of faith, his music carries the unmistakable sound of a singer who understands the power of a great song—and the message behind it.
At FishWorship, we’re pleased to celebrate Guy Penrod’s contribution to Christian music and the many songs through which he has encouraged, challenged, and inspired listeners. Explore his music and discover—or rediscover—the distinctive voice of Guy Penrod.
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🎬Featured Video
“The Baptism of Jesse Taylor”
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Few songs capture the storytelling tradition of Southern Gospel quite like “The Baptism of Jesse Taylor.” Originally written and recorded by Dallas Frazier, the song tells the story of a man whose life was transformed by an encounter with Christ, using vivid imagery to describe the dramatic change that follows his baptism.
Guy Penrod brings the song to life with the powerful voice that made him one of the defining vocalists of the Gaither Vocal Band. His commanding delivery gives the story both energy and conviction, while the familiar Southern Gospel arrangement provides the perfect setting for a song about redemption, transformation, and new beginnings.
“The Baptism of Jesse Taylor” is more than a story about one man’s past. At its heart is the timeless Christian message that no life is beyond the reach of God’s grace. Through Guy Penrod’s performance, that message comes through with the kind of passion and joy that has made this song a lasting favorite among Gospel music listeners.
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🎵Essential Songs
“The Baptism of Jesse Taylor”
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“The Baptism of Jesse Taylor” is a classic Southern Gospel story song built around one of the most powerful themes in the Christian faith: redemption. Written by Dallas Frazier and made famous in Gospel music, the song tells of a man whose reputation and past give way to a completely transformed life after encountering Christ. Its vivid storytelling makes the message of salvation feel personal and immediate.
Guy Penrod’s performance brings an unmistakable combination of power, warmth, and conviction to the song. His rich baritone gives the story a larger-than-life quality, while his delivery captures the excitement of a life that has been changed by grace. It is the kind of performance that allows Penrod to do what he has always done so well—take a great Gospel story and make it feel as though he is singing it directly to you.
At its heart, “The Baptism of Jesse Taylor” isn’t simply about what happened to Jesse Taylor. It is a reminder that God’s grace can reach people wherever they are and that a person’s past does not have to determine their future. In Guy Penrod’s hands, the song becomes a joyful celebration of the transforming power of Christ.
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“Then Came the Morning”
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“Then Came the Morning” is one of the most powerful songs associated with Guy Penrod’s years with the Gaither Vocal Band. Written by Gordon Jensen, the song takes listeners from the darkness and sorrow surrounding the crucifixion of Jesus to the glorious hope of the resurrection. Its central image—darkness giving way to morning—beautifully captures the heart of the Easter story.
Penrod’s rich, commanding voice gives the song a sense of anticipation that builds throughout the performance. What begins with the apparent defeat of Calvary gradually moves toward the triumphant declaration of the empty tomb, making the song feel like a musical journey from despair to hope. His delivery is both powerful and deeply reverent, allowing the message to remain at the center of the performance.
“Then Came the Morning” has become a memorable part of the Gaither Vocal Band and Homecoming repertoire, and it remains one of the songs most closely associated with Penrod’s distinctive Gospel voice. Its message is ultimately the message of the Gospel itself: Friday’s darkness was not the end of the story. Christ rose again, and with the resurrection came the hope of a new morning.
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“The Old Rugged Cross Made the Difference”
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“The Old Rugged Cross Made the Difference” is a powerful testimony song about the transforming work of Christ. Rather than simply reflecting on the cross as a symbol, the song tells of the difference it makes in a person’s life when they encounter the grace and salvation found there. Its message fits naturally within Guy Penrod’s ministry of bringing timeless Gospel truths to life through song.
Penrod’s deep baritone gives the performance both strength and warmth. He sings the song with the conviction of someone delivering a personal testimony, allowing the words to carry the weight of their message without unnecessary embellishment. The result is a performance that feels both firmly rooted in the Southern Gospel tradition and remarkably personal.
The song also serves as a fitting companion to the classic hymn “The Old Rugged Cross.” Where that hymn points listeners toward the cross of Christ, “The Old Rugged Cross Made the Difference” celebrates what happened because of it. In Guy Penrod’s voice, the song becomes a heartfelt reminder that the cross is not merely part of Christian history—it is the place where lives are changed.
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“Because He Lives”
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“Because He Lives” is one of the most enduring songs of modern Christian music, written by Bill and Gloria Gaither in 1971. Built around the simple but profound truth of the resurrection, the song moves from uncertainty about the future to confidence rooted in the living Christ. Its message has resonated across generations because it speaks to both the greatest hope of the Christian faith and the everyday challenges of life.
Guy Penrod’s interpretation brings the song firmly into the Southern Gospel tradition. His powerful baritone gives the familiar words a sense of authority and warmth, while his delivery emphasizes the personal nature of the song’s message. The performance doesn’t simply celebrate the resurrection as an event in history—it points to the difference that the risen Christ makes in the life of a believer today.
Few songs express Christian hope as simply and completely as “Because He Lives.” The future may be uncertain, and life may bring its share of fear and difficulty, but the foundation remains unchanged: Christ is alive. Through Penrod’s unmistakable voice, that timeless declaration becomes a moving celebration of faith, courage, and hope.
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“Knowing You’ll Be There”
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“Knowing You’ll Be There” captures one of the most comforting promises found in Christian faith: the assurance that those who belong to Christ will one day be reunited in His presence. Rather than focusing on the uncertainty of what lies ahead, the song looks toward heaven with confidence, anticipation, and the hope of seeing loved ones again.
Guy Penrod’s performance gives the song the warmth and emotional depth that have become hallmarks of his Gospel singing. His rich baritone carries both the tenderness of the subject and the confidence of the message, making the song feel less like a distant reflection on heaven and more like a heartfelt declaration of faith.
The song has become particularly memorable among Penrod’s Gaither Vocal Band performances, and it represents one of the reasons his voice has connected so strongly with Gospel music audiences. “Knowing You’ll Be There” offers comfort without becoming somber, reminding listeners that for the believer, heaven is not simply a hope for the distant future—it is a promised homecoming that gives meaning and confidence to life today.
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“Yes, I Know”
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“Yes, I Know” is a joyful declaration of the saving grace of Jesus Christ. Built around the familiar Gospel refrain that affirms the believer’s personal knowledge of God’s saving power, the song has the straightforward, celebratory character that makes traditional Southern Gospel music so enduring.
Guy Penrod brings that message to the song with the unmistakable authority of his voice. His powerful baritone gives the performance a sense of confidence and celebration, while his delivery keeps the focus on the simple truth at the heart of the song: salvation is not merely a theological idea—it is something a believer can know personally and experience for themselves.
There is a wonderful directness to “Yes, I Know.” It doesn’t try to complicate the Gospel message; it simply proclaims it. In Penrod’s hands, that simplicity becomes a strength, turning the song into a confident testimony of faith and a joyful reminder of the grace that changes lives.
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“Singing with the Saints”
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“Singing with the Saints” looks ahead to the joy of heaven through the familiar language of Christian fellowship and worship. The song imagines the day when believers will gather in God’s presence, united with the saints who have gone before them, and it captures the anticipation of joining that eternal chorus.
Guy Penrod’s powerful baritone is particularly well suited to a song with this kind of celebratory Gospel spirit. His performance carries a sense of excitement and expectation, turning the promise of heaven into something listeners can almost picture and hear. Rather than dwelling on the end of earthly life, the song focuses on the joy that awaits beyond it.
“Singing with the Saints” also reflects something central to Penrod’s musical legacy: Gospel music has always been about more than individual performance. It is music meant to be shared, sung together, and used to point people toward Christ. In Penrod’s voice, the song becomes an uplifting glimpse of the day when earthly voices will join the heavenly song.
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“Loving God, Loving Each Other”
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“Loving God, Loving Each Other” is a simple yet deeply meaningful song built around one of the clearest expressions of Christian faith: loving God and allowing that love to shape the way we treat one another. Written by Bill and Gloria Gaither, the song has become a familiar part of the Gaither musical tradition, where its straightforward message can be shared by voices of all ages and backgrounds.
Guy Penrod’s performance captures the warmth and sincerity that make the song so effective. His rich baritone provides a strong vocal foundation, but the song never feels like a showcase for the singer. Instead, Penrod allows the message to remain front and center, emphasizing the connection between our love for God and the way that love should be reflected in our relationships with others.
There is something fitting about the song’s simplicity. In a world that can make faith seem complicated, “Loving God, Loving Each Other” brings the focus back to a foundational Christian calling. Through Penrod’s performance, that message becomes an inviting reminder that our faith is meant to be lived—not only in the songs we sing, but in the way we love the people around us.
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“I’m Forgiven”
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“I’m Forgiven” is a joyful Gospel testimony centered on one of the most liberating truths of the Christian faith: through Jesus Christ, the burden of sin can be replaced by forgiveness, grace, and new life. The song speaks with the confidence of someone looking back at what once was and celebrating the freedom found in God’s mercy.
Guy Penrod’s powerful baritone gives the song the conviction of a personal testimony. His performance carries both strength and gratitude, making the declaration of forgiveness feel less like an abstract theological statement and more like something experienced firsthand. That combination of conviction and joy is a natural fit for Penrod’s Gospel style.
At its heart, “I’m Forgiven” is a celebration rather than a lament. The song acknowledges the reality of sin while refusing to let the past have the final word. In Guy Penrod’s voice, it becomes an encouraging reminder that God’s grace does more than erase a record—it gives people a reason to sing, a new identity, and the freedom to move forward in Christ.
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“I Believe in a Hill Called Mount Calvary”
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“I Believe in a Hill Called Mount Calvary” is a powerful declaration of faith centered on the cross and the sacrifice of Jesus Christ. Written by Dottie Rambo, the song has become a beloved Southern Gospel standard, expressing unwavering belief in the reality and significance of Christ’s death at Calvary. Its message is both personal and foundational: the cross is not simply a story from the past, but the foundation of Christian hope.
Guy Penrod’s rich baritone gives the song the weight and reverence its message deserves. His performance balances the solemnity of Calvary with the confidence of someone who knows that the story does not end at the cross. Rather than treating the song as merely a traditional Gospel number, Penrod delivers it as a heartfelt statement of what he believes.
The enduring strength of “I Believe in a Hill Called Mount Calvary” is its simplicity. It does not attempt to explain every mystery surrounding the cross; it simply declares faith in what happened there and in the salvation Christ provides. Through Guy Penrod’s unmistakable voice, that declaration becomes a moving reminder of why Calvary remains at the very center of the Christian story.
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“It Is Finished”
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“It Is Finished” centers on one of the most significant declarations in the Gospel story: the words Jesus spoke from the cross as His earthly work approached its completion. The song reflects on Christ’s sacrifice at Calvary and the price He willingly paid for the redemption of humanity, turning those three words into a powerful statement of victory as well as finality.
Guy Penrod’s deep, resonant voice gives the song a fitting sense of gravity. His performance allows the listener to feel the weight of the cross while keeping the focus on the purpose behind Christ’s suffering. There is reverence in his delivery, but also a sense of assurance—the work Jesus came to accomplish was complete.
The message of “It Is Finished” ultimately points beyond the darkness of Calvary to the hope secured through Christ’s finished work. For Christians, the cross represents not defeat but the fulfillment of God’s plan for salvation. In Penrod’s hands, the song becomes a solemn and moving reminder that the price has been paid and that the grace of God rests upon what Christ accomplished at the cross.
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“Sinner Saved by Grace”
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“Sinner Saved by Grace” is a humble Gospel testimony that puts the emphasis exactly where Christian faith says it belongs: not on human achievement, but on the grace of God. The song acknowledges the reality of sin while celebrating the transforming power of Christ, reminding listeners that salvation is a gift rather than something earned.
Guy Penrod’s voice gives the song the character of a personal confession. His powerful baritone carries conviction, but there is also humility in the performance, allowing the words to sound like the testimony of someone who understands that his hope rests entirely in God’s mercy. It is a natural fit for the straightforward, testimony-driven tradition of Southern Gospel music.
There is particular strength in the song’s title and central message. “Sinner Saved by Grace” does not attempt to hide the past or claim perfection; instead, it points to what God has done with a life that could never save itself. Through Penrod’s performance, the song becomes an encouraging reminder that the Gospel is ultimately a story of grace—of sinners being rescued, forgiven, and given new life through Christ.
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“He Came Down to My Level”
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“He Came Down to My Level” is a beautiful expression of the humility and love at the heart of the Gospel. The song reflects on the mystery of Christ leaving the glory of heaven and coming into the world to meet humanity where we are. Its central message is both simple and profound: God did not remain distant from us, but came near through Jesus.
Guy Penrod’s rich baritone gives the song a warmth and reverence that suit its message perfectly. Rather than treating the incarnation as an abstract theological concept, his performance emphasizes the personal nature of Christ’s coming. The God who created us was willing to come down to our level, enter our broken world, and ultimately give His life for us.
The song also captures something that has long made Southern Gospel music so compelling—the ability to communicate profound Christian truths in language that feels personal and accessible. In Penrod’s hands, “He Came Down to My Level” becomes a heartfelt reminder of the extraordinary love revealed in the simple truth that God came near.
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“Knowing What I Know About Heaven”
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“Knowing What I Know About Heaven” looks toward eternity with a perspective shaped by the promises of Christian faith. Rather than approaching heaven as an unknown or distant destination, the song reflects on the hope of what awaits those who belong to Christ. Its message offers comfort in the face of loss while pointing beyond grief toward the joy of being reunited in God’s presence.
Guy Penrod’s performance brings a particularly personal quality to the song. His deep, expressive baritone gives the words warmth and sincerity, allowing the song to carry both the tenderness of remembrance and the confidence of Gospel hope. There is sadness in acknowledging those who are no longer with us, but the greater emphasis is on the assurance that death is not the end of the story.
“Knowing What I Know About Heaven” ultimately invites listeners to see heaven not simply as a theological promise, but as a reason for hope in the present. Through Penrod’s voice, the song becomes a comforting reminder that for the believer, separation is temporary and the promise of an eternal home gives perspective even in the midst of loss.
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“The Love of God”
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“The Love of God” is one of the great hymns of Christian faith, built around the overwhelming truth that God’s love is greater than anything human language can fully express. The hymn’s famous imagery reaches for the immeasurable nature of that love, reminding listeners that God’s grace extends farther and deeper than we can comprehend.
Guy Penrod brings a powerful yet reverent interpretation to this timeless hymn. His rich baritone gives the melody a sense of strength and depth, while his delivery allows the words themselves to remain the focus. There is no need to embellish the message; the beauty of the hymn comes from the simple declaration that God’s love is limitless and available to all.
In Penrod’s hands, “The Love of God” becomes more than a familiar hymn—it becomes a personal expression of wonder and gratitude. The song stands as a reminder that the foundation of the Christian message is not simply what we do for God, but what God has already done for us through His immeasurable love.
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“Revelation Song”
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“Revelation Song” brings the imagery of Revelation 4 and 5 into a powerful contemporary worship setting, inviting listeners to join the heavenly declaration of God’s holiness, glory, and worthiness. Written by Jennie Lee Riddle, the song has become one of the most widely embraced worship songs of its generation, moving easily between personal worship and corporate praise.
Guy Penrod’s interpretation brings the song a distinctly Gospel-infused sound. His commanding baritone gives the performance a sense of majesty, while the arrangement creates an atmosphere that builds toward a declaration of worship. Penrod’s voice is especially effective here because he can combine the strength of his Southern Gospel background with the openness and reverence of contemporary worship.
At its heart, “Revelation Song” is not about the worshiper—it is about the One being worshiped. The repeated declaration of “holy” keeps the focus on God’s character and glory, echoing the worship described in Scripture. Through Guy Penrod’s performance, the song becomes an invitation to step away from the distractions of everyday life and join in that timeless declaration: Jesus is worthy.
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“Victory in Jesus”
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“Victory in Jesus” is one of the most recognizable and beloved hymns in the Southern Gospel tradition. Written by Eugene M. Bartlett in 1939, the song tells the story of discovering the saving power of Jesus Christ and finding freedom, forgiveness, and eternal hope through Him. Its upbeat melody and straightforward testimony have made it a favorite in churches for generations.
Guy Penrod brings the song the energy and vocal authority that have become trademarks of his music. His rich baritone gives the familiar words renewed strength, while the performance retains the joyful, congregational character that has made the hymn so enduring. It is easy to imagine a room full of voices joining Penrod on the chorus.
The title says exactly what the song celebrates: victory. That victory is not presented as something earned through human strength, but as something found “in Jesus.” Through Penrod’s performance, the classic hymn becomes a joyful declaration of the Gospel and a reminder that the Christian story ultimately points toward redemption, freedom, and triumph through Christ.
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“Leaning on the Everlasting Arms”
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“Leaning on the Everlasting Arms” is a timeless hymn of trust, comfort, and dependence on God. Written in 1888 by Anthony J. Showalter and Elisha A. Hoffman, the hymn draws its central image from Deuteronomy 33:27, where God’s everlasting arms provide a picture of strength and security. Its enduring appeal comes from a message that remains just as relevant today: believers do not have to face life’s challenges alone.
Guy Penrod’s interpretation gives the familiar hymn the warmth and strength of his distinctive Gospel voice. His rich baritone brings a reassuring quality to the performance, emphasizing the confidence found in resting in God’s care. Rather than simply singing about faith as an idea, Penrod’s delivery makes the song feel like an invitation to experience that peace personally.
“Leaning on the Everlasting Arms” ultimately celebrates the freedom that comes from trusting God. There is no promise that life will be without difficulty, but there is the assurance that God’s strength is greater than our own. In Penrod’s hands, this beloved hymn becomes a comforting reminder that when we lean on Christ, we are supported by arms that will never let us go.
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“He Hideth My Soul”
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“He Hideth My Soul” is a beloved hymn of refuge and security, written by Fanny Crosby with music by William J. Kirkpatrick. Drawing its imagery from the biblical picture of finding shelter in the cleft of the rock, the hymn celebrates the protection, grace, and peace found in Jesus Christ. Its words have offered comfort to generations of Christians facing life’s storms and uncertainties.
Guy Penrod’s rich baritone gives the hymn a warmth and strength that fit its message beautifully. His performance emphasizes the contrast between the difficulties of life and the security found in Christ, allowing the familiar words to sound both timeless and personal. There is a quiet confidence beneath the power of his voice—a reminder that the believer’s refuge is not dependent upon circumstances.
“He Hideth My Soul” ultimately points to a faith that knows where to turn when life becomes overwhelming. The imagery of being sheltered in the cleft of the Rock offers a beautiful picture of Christ as both refuge and source of strength. Through Guy Penrod’s performance, this classic hymn becomes a reassuring declaration that even when the storms come, there is a safe place to rest in God’s presence.
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💿Essential Albums
The Best of Guy Penrod
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The Best of Guy Penrod offers a strong introduction to the voice that made Guy Penrod one of the most recognizable singers in Southern Gospel music. Released during his years as a featured vocalist with the Gaither Vocal Band, the collection brings together many of the performances that established Penrod as a favorite among Gaither Homecoming audiences and Gospel music listeners.
The album showcases the remarkable range of Penrod’s work during this chapter of his career. From the dramatic storytelling of “The Baptism of Jesse Taylor” and the resurrection hope of “Then Came the Morning” to the timeless declarations of faith found in “Because He Lives” and “The Old Rugged Cross Made the Difference,” the collection demonstrates his ability to make both classic Gospel songs and contemporary compositions feel deeply personal.
For listeners discovering Guy Penrod through his solo career, The Best of Guy Penrod also provides an important look at the musical foundation that came before it. These are the performances that helped establish his distinctive sound and introduced his powerful baritone to audiences around the world. As a collection, it captures an important part of Penrod’s journey and serves as an excellent starting point for exploring his music.
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Breathe Deep
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Breathe Deep marked an important new chapter in Guy Penrod’s career. Released in 2009, it was his first solo album following his years of prominence with the Gaither Vocal Band, giving listeners an opportunity to hear Penrod step beyond the group setting and establish his own voice as a solo Christian artist.
The album retains the warmth and Gospel conviction that had become hallmarks of Penrod’s singing while broadening the musical palette around him. His powerful baritone remains at the center, but Breathe Deep demonstrates that his appeal extends beyond traditional Southern Gospel. The songs explore faith, grace, worship, and the everyday Christian walk with a sound that connects his Gospel roots with contemporary Christian music.
As the opening statement of Penrod’s solo career, Breathe Deep is an important part of his musical story. It represents more than a collection of new songs—it marks the beginning of a new season in which Penrod could step forward as the primary voice and share his faith from a distinctly personal perspective.
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Hymns
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Hymns finds Guy Penrod returning to some of the foundational songs of the Christian faith and giving them the unmistakable sound of his own voice. Released in 2012, the album brings together familiar hymns and Gospel favorites, allowing Penrod to draw from the musical tradition that has shaped him while presenting these songs for a new generation of listeners.
What makes Hymns especially effective is the balance between familiarity and personality. Songs that have been sung in churches for generations are given fresh life through Penrod’s powerful baritone and country-influenced Gospel style. Rather than attempting to reinvent the hymns, he approaches them with the conviction and warmth that have made him such a respected interpreter of Christian music.
For listeners who appreciate the connection between music and the history of the church, Hymns offers an opportunity to hear timeless truths expressed through songs that have endured for decades. It is a fitting representation of Penrod’s roots and a reminder that, sometimes, the most powerful new musical experience can come from revisiting words and melodies that have been proclaiming the Gospel for generations.
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Worship
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Worship showcases another side of Guy Penrod’s musical ministry, moving beyond the traditional hymn and Southern Gospel repertoire to focus more directly on songs of praise and adoration. Released in 2014, the album brings Penrod’s unmistakable voice to a collection designed to turn the listener’s attention toward God.
Penrod’s powerful baritone gives these worship songs a distinctive character. Whether singing a familiar hymn such as “Victory in Jesus” or a contemporary worship favorite such as “Revelation Song,” he combines the vocal strength of his Southern Gospel background with the reverence and openness of modern worship music. The result is an album that feels both familiar and fresh.
At its heart, Worship is less about showcasing the singer and more about creating an opportunity to worship. Penrod’s voice remains unmistakable, but the songs themselves carry the focus. For listeners who know him primarily from the Gaither Vocal Band or his traditional Gospel recordings, the album provides a meaningful glimpse into another dimension of his ministry and his desire to use music to point people toward Christ.
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Live: Hymns & Worship
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Live: Hymns & Worship captures Guy Penrod doing what he does especially well: taking familiar songs of faith and bringing them to life in front of an audience. Released in 2016, the album combines traditional hymns with contemporary worship songs, reflecting the two musical worlds that have shaped Penrod’s career.
The live setting gives these performances an energy and spontaneity that a studio recording cannot quite reproduce. Penrod’s powerful baritone fills the room, but the surrounding musicians, choir, and congregation-like atmosphere make the project feel less like a concert recording and more like a shared worship experience. Songs such as “Victory in Jesus” and “Revelation Song” demonstrate his ability to move naturally between classic Gospel and contemporary worship.
For longtime Guy Penrod listeners, Live: Hymns & Worship serves as a fitting representation of his ministry as a live performer. For newer listeners, it provides a glimpse of why his voice has connected so strongly with Christian audiences. The album brings together the familiar and the contemporary while keeping the focus where Penrod believes it belongs: on the songs, the message, and the God they are written to praise.
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Classics
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Classics is a particularly meaningful collection in Guy Penrod’s catalog because it revisits many of the songs that helped define his years with the Gaither Vocal Band. Released in 2017, the album gives Penrod an opportunity to record these familiar favorites again as a solo artist, bringing his unmistakable voice to songs that have already become part of his musical legacy.
The collection includes many of the performances most closely associated with Penrod, including “The Baptism of Jesse Taylor,” “Then Came the Morning,” “Knowing You’ll Be There,” and “The Old Rugged Cross Made the Difference.” Hearing these songs through the perspective of Penrod’s solo career gives them a renewed sense of ownership while preserving the Gospel character that made the originals so memorable.
For longtime listeners, Classics is a celebration of an important chapter in Penrod’s musical journey. For those discovering him for the first time, it serves almost like a musical introduction, bringing together some of the songs that established his reputation as one of the most distinctive voices in Southern Gospel. It is a collection that looks back without simply living in the past, allowing Penrod to revisit familiar songs with the experience and perspective gained throughout his career.
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